【作者】 杨全海；

【导师】 金顺爱；

【作者基本信息】 东北师范大学 ， 音乐学， 2008， 硕士

【摘要】 目前,声乐学术著作在国内外都比较丰富,对于喉头、气息、共鸣、咬字、耳朵(听觉)等专题的研究也很常见。关于舌头的问题也虽有所涉及,但是专门和深入系统研究的成果还未曾见到。本人在这些文献基础上,并根据导师和自身多年学习声乐的体验,对歌唱中的舌头问题进行了一些粗浅的探究。本文共分三部分:第一部分介绍舌头的解剖学和运动生理学基础。第二部分是指出歌唱中舌头出现的问题,并指出问题的根源是舌头和气息、共鸣、通道、咬字吐字的辩证关系处理不当。第三部分是第二部分的延伸,提出解决舌头问题的办法。更多还原

【Abstract】 Currently, there are plenty of domestic and oversa academic works in vocal music. It’s also popular with studies that specialize in the throat, breathing, resonance, articulation, ears (hearing), etc.Although there are articles about tongue, systematic and in-depth study of it have not yet seen. Based on those documents, and in accordance with mentors and my own multi-year experiences of vocal practice, I’d like to explore a number of issues on the usage of tongue in vocal singing. This paper includes three parts: the first part introduced anatomy of the tongue and physiological basis of the movement. The second part pointed out the problems in singing related to the usage of the tongue, and illustrated that the root of the issue is improperly handling of tongue and breathing, resonance, access, and articulation. The third part is the extension of previous discussion, and suggested solutions to solve the problems.更多还原