【作者】 王海灵；

【导师】 马革顺； 林华；

【作者基本信息】 上海音乐学院 ， 指挥， 2008， 硕士

【摘要】 本文是对如何通过指挥术诠释匈牙利作曲家柯达伊的同声合唱作品,共分为三部分内容。在第一部分中,通过介绍柯达伊的三个不同身份了解其同声合唱作品的创作背景。在第二部分中,用归类和例证,从作品题材、体裁和技法等方面介绍柯达伊同声合唱作品的创作特征。在第三部分中,重点阐述如何把握柯达伊同声合唱作品的风格。笔者通过介绍匈牙利历史和民族性格以及语言特点来透析匈牙利民族文化背景,以指挥者的角度从音准、音色、节奏、咬字吐字、声部的安排及二度创作等方面概述如何把握柯达伊同声合唱作品的风格,并以三个不同风格的具体作品为例具体阐述。更多还原

【Abstract】 The purpose of this thesis is to explore and analyze Hungarian composer Zoltán Kodály’s equal voice choir pieces using a conductor’s methodology. The content consists of 3 parts. The first part examines the compositional background to his equal voice pieces by introducing his 3 different career strands. In the second part, the author expatiates on the compositional character of these pieces through themes, forms and techniques, by means of classification and illustration. The third part examines in detail the issue of performing style in relation to Kodály’s equal voice pieces. Here the author analyzes the Hungarian history and folk character, and expounds the expression of the Kodály style through intonation, resonance, pronunciation, arrangement of voice parts, and performance interpretation, and presents three pieces of differing styles as examples.更多还原