【作者】 唐桦；

【导师】 钟友循；

【作者基本信息】 中南大学 ， 中国现当代文学， 2008， 硕士

【摘要】 在中国当代文坛,韩少功是一个重要而特点鲜明的作家。多年来,尽管文本形式、叙事方式、观察视角不断变化,但他始终关注自己脚下的土地和在这片土地上生活的人民,对不同时期下人的各种生存状态进行反思,分析各种压迫形成的原因,对人性扭曲和迷失做出反思和批判。本文试图依据时间先后顺序对其各个阶段的主要作品进行分析,采用理论联系实际、系统分析与唯物辩证分析相结合的方法,考察韩少功笔下的人及其生存状态在时代政治、传统文化、语言符号、现实生活四个方面的不同表现形式,并试图整合其创作主题的内涵实质。本文以上述四大方面为主要内容,分为四大部分:第一章:政治视角下的真实与荒谬。主要分析“人”在强大的政治集权和封建遗毒残害下出现的罪恶与迷失,主要表现为政治高压下人的扭曲毁灭和革命者自身的困惑与荒诞。同时韩少功也在黑暗中看到了还有人在不屈地坚持正义的反抗与精神家园的追寻。第二章:文化视角下的漂泊与变形。主要通过人在传统文化语境中的自我缺失和城乡文明冲突下的无根漂泊两种表现,来批判反思传统文化的弊病所在。第三章:语言学视角下的异化与坚守。在90年代,韩少功不再局限对传统文化本身的批判,而是通过语言符号与人的关系揭示人的生存状态,对现代人的生存困境和精神病症进行更为具体的揭示。第四章:现实视角下人的重新审视。韩少功的近年新作偏重现实主义风格,大力发掘市场经济下人性的冲突碰撞,批判和反思金钱欲望对人性的异化;同时以乡土家园为基点积极建构理想的精神居所。最后,对韩少功作品中“人”主题的演变与价值所在进行梳理、总结,概括其文学意义。更多还原

【Abstract】 Hanshaogong has a high place in China’s contemporary literature history and he is a writer of special characteristic. Though the text form, the narrative way, the observation angle of view has changed unceasingly for many years, he always throws himself into the land, on which people are living. He has made reflection and criticism of the pressure, humanity distortion and madness in the aspects of politics, culture and economics of different periods. He never stop carry on consideration and reflection to human survival state in different periods, and never stop adopts analysis and criticism to the reason of oppression forms, twists to the human nature and loses.This article attempts based on the time in order to carry on the analysis successively to HanShaogong’s principal production of each stage, and adopts the research methods of putting theories into practice, the integration of systematic analysis and materialistic dialectics. The author attempts from the time politics, the traditional culture, the verbal symbol, the real life four aspects to summarize the essence of HanShaogong’s theme connotation, and analyzes literature world of Han Shaogong that is centered on human beings and the nature of human beings.The main body of this article takes above-mentioned 4-big aspect as main content and divides four major parts:The first chapter: Reality and absurdness under political angle of views. This section mainly analysis the evil and lose from the formidable political centralization and the feudalism. The main performance includes human’s distortion and deconstruction in the high political pressure, and revolutionist’s own confusion and absurdity. Simultaneously, Han Shaogong also saw some people still insisting rebellious spirit in the darkness.The second chapter: Drifting and distorts under cultural angle of views. Through two kinds of different performance: person’s self-flaw in the environment of traditional culture and rootless drifts under the conflict of city and countryside civilization, Han Shaogong attempts to criticizes the traditional culture’s disease and insufficient.The third chapter: Madness and perseverance under the verbal symbol angle of views. In the 90s, Han Shaogong no longer limits to traditional culture’s critique. He wants to reveal modern people’s survival difficult position and spiritual illness by a more concrete way through the relations of verbal symbol and human beings.The fourth chapter: People’s recently deduction in re-entered the reality. In recent years, Han Shaogong frequently adopts realism style. and want to exposure and explore human nature collision in Marketing Economical Time. He carries on criticism and reconsideration to the human nature’s falling, meanwhile, he positively constructs the ideal energetic residence in the local homeland’s foundation. Finally, the author summarizes the evolution and value of "the human" subject in the Han Shaogong’s works.更多还原