城市灵光的映射

【作者】 胡畔；

【导师】 陈小兵；

【作者基本信息】 南京师范大学 ， 音乐学， 2008， 硕士

【副题名】论古典、浪漫主义时期西方城市的音乐精神空间

【摘要】 近现代西方音乐可以说是一种城市文化,城市生活方式决定了其独特的精神建构。古典主义与浪漫主义时期音乐功能的不同、音乐风格的迥异、音乐家地位的差异等,都与它们各自所处的不同城市空间有着密切关系。而作为一种文化样式,西方音乐记录了人类在离开自然进入城市之后,深厚的乡村关系被城市关系取代的过程,以自己的方式叙述着城市文化的发展和居民的性格、品质。可以说,对西方音乐史的研究,已经无法脱离对城市文化景观的考察。作为个体,人类从根本上来说是城市空间性的存在者,总是忙于进行空间与场所、疆域与区域、环境和居所的生产。在这一空间性的生产过程中,人类主体总是包裹在与环境的复杂关系之中,人类主体自身就是一种独特的空间性单元。一方面,我们的行为和思想无时无刻不在塑造着我们周遭的空间,但与此同时,我们生活于其中的集体性或社会性,生产出了更大空间与场所,而人类的空间性则是人类动机和环境或语境构成的产物。空间性的纬度将会在历史性和社会性的传统联姻中注入新的思考和解释模式,这将有助于我们思考社会、历史和空间的共时性及其复杂性与相互依赖性,有助于我们从一个新的维度重新审视西方音乐的发展。本文主要通过对18和19世纪这两个音乐发展时期中不同的城市化情境进行剖析,描述西方音乐在城市地点中的景观,探讨音乐如何反映城市的心灵,人如何造就了包括音乐在内的城市文化,从而认识城市作为文明人天然的栖息地,如何在音乐发展中起核心作用,以论证城市文化对音乐发展的决定性作用。更多还原

【Abstract】 Modern western music can be described as a city culture, and the city lifestyle determines its unique spirit construction. The differences of the music functions, the music style and the status of the musicians in classicism and romanticism period, are related to the different cities which they live. As a cultural style, the western music recorded the process that the strong village relations was replaced by the city relations after human leaved nature into the city, and described in its own way the development of city culture and the character and quality of the residents. It can be said that the research of the history of the western music, had not divorced from the investigation of the city cultural landscape.As individuals, human essentially is the existence of city space, and is always busy with the production of the space and places, territories and regions, environment and housing. In the production process of the spaces, the human is always wrapped in a complex relationship with the environment, and itself is a unique space unit. On the one hand, our behaviour and thinking are all the times shaping the space around us, but at the same time, we live in the collective and social nature, produce a greater space and place. But the human space nature is a product of human motivation and the environment or context. The latitude of the space will disembogue the new mode of the thinking and interpretation to the traditions of marriage of the historic and sociology, and which will help us to think about the consensus, complexity and dependent of the society, history and space, to resurvey the development of the western music in a new dimension.In this paper, mainly through the analyze of the different cities in 18 and 19th-century musical development periods, we describe the landscape in city locations of the western music, explore how the music reflects the city souls, and how human create the city culture included the music, and then find out how the city as the natural habitat of the civilized human, plays a central role in development of the music, so as to demonstrate the decisive role of the city culture to the development of music.更多还原