【作者】 李秀玉；

【导师】 周绍斌；

【作者基本信息】 浙江师范大学 ， 美术学， 2008， 硕士

【摘要】 新兴电子媒介以及与之相应的网络艺术的兴起,使“虚拟”、“互动”和“链接”等概念成为值得关注的美学范畴,更使“审美交流”作为一个意义深远的命题凸现在当代理论视野中。本论文意在为考察网络互动语境下的审美文化提供一个新的阐释视角,是打通当代美学理论与媒介文化研究而进行的一个尝试。在全球化和传媒化的大语境下,通过网络艺术分析而突出“审美交流”的命题,对网络视觉艺术的审美、虚拟现实技术的审美体验,及相应的美学特性进行探索。首先,论述网络视觉艺术对传统古典美学的继承性与发展倾向。从美学角度,研究网络视觉艺术的价值判断与欣赏依据,提出“网络美学”的概念,即适合时代特征的网络视觉艺术美学观念,揭示当代网络文化的审美内涵。与其他文化形态相比,网络文化的最大特色在于“远程互动”式的交往。康德美学中的关键范畴——审美共通感(sensus communis,又译为统觉、共识),从辞源上来说便正是基于这个“共同拥有”的概念,审美不是某种静态的结构,而是动态地建构着的相互作用,是现实的人的基本存在方式。审美是一种多要素、多层次、多进程的感性建构活动。其次,网络视觉艺术美学超越于单一的审美特征,它是从网络视觉艺术赖以生存的整个社会生态环境,从艺术与生存于此环境的其他社会文化形态的互动关系中来看待网络视觉艺术的审美。同时也反观艺术环境,使其价值不局限于网络视觉艺术本体。主要从文化学角度来思考网络视觉艺术存在的可能性与必然性,从环境因素(自然环境、人文环境)、人性因素(网络视觉艺术与人类心理文化结构、网络视觉艺术与当代文化心态、网络视觉艺术与人类哲学文化观念)、技术因素、社会因素(网络视觉艺术与传播学、网络视觉艺术与文化学、网络视觉艺术与社会文化交流)等方面论述后现代社会中网络美学发端的缘由。另外,进入网络时代之后,艺术创造、艺术展示、艺术市场、艺术欣赏以及艺术家与社会的关系,都将发生相应的变化。新的媒介、语言和手段,是对传统媒介、语言手段的重要补充和更新。当技术改变了人文科学的治学方式和审美特征时,批评方式也该相应改变。这时的艺术批评就该及时更新观念以及对新生艺术现象迅速作出反应,全面地评估数字艺术及其审美变革的影响。更多还原

【Abstract】 With the corresponding rise of the emerging electronic media and the network art, such as the concept of "Virtual", "interaction" and "link"etc appear in the aesthetics field,and make "Aesthetic exchanges" appear in the proposition of the contemporary theory of vision. The intention of this paper is that provide a new expounding vision angle in order to investigate aesthetic culture in the context of the interactive network,it is a trial that get through the present age aesthetic theory and intermediary culture studying. In the larger context of globalization and media,the proposition of "aesthetic communicate" is outstanding through the network art analysis,its Exploration is to the aesthetic visual of network art,the aesthetic experience of virtual reality technology,and the corresponding aesthetics.First of all, discuss the network vision arts’ inheritance to the tradition classical aesthetics and its development tendency .From the angle of aesthetics, study the value judgement and appreciate a basis of the network vision arts, proposed the concept of "network aesthetics", it is the aesthetic concepts of the network vision arts that suitable for the characteristics of the times,and reveals the aesthetic connotation of contemporary network culture. Compared with other cultural patterns, the most significant feature of internet culture is its "long-range interaction" of exchanges. The key areas of Kant’s aesthetics-- sensus communis, is based on the "common ownership" concept from the speech sources, aesthetics is not a static structure, but to build a dynamic interaction, ti is the basic existence of reality human. Aesthetic is a multi-element, multi-level, multi-building activities perceptual process.Secondly, the network vision arts beyond the single aesthetic characteristics, it is refer to the aesthetic of network vision arts from whole ecological environment that network vision arts being,also the interactive relationship between arts and other social cultural that survival of this environment. And contrast the art environment at the same time,make its value is not confined to the visual arts body. The expositions of the cause of the originator aesthetics in the Post-modern social, mainly from the angle of culture to think the possibility and certainty that the network there being, comply with the environmental factor (natural environment , humanity environment), human nature factor (network vision arts and human being mentality culture structure , network vision arts and the present age culture psychology , network vision arts and human being philosophy culture concept),also technology factor ,and social factor(network vision arts and the spreading learning , network vision arts and the science of culture, network vision arts and society culture).In addition, after entering the Internet age, arts creation, art shows , art marketplace , art appreciate and the relation of artist and society will all have corresponding change happened. New intermediary , language and means,it renews the tradition intermediary and language. When the technology changed human learning mode and aesthetic characteristic, the criticizing way will change too. At this time,the criticizes should renew concept in time and devise response rapidly to face newborn art phenomenon,in order to evaluate digital arts and the appreciation of the aesthetic alteration.更多还原