【作者】 薛羽；

【导师】 罗岗；

【作者基本信息】 华东师范大学 ， 中国现当代文学， 2008， 硕士

【副题名】以《创业史》、《山乡巨变》和《三里湾》为中心

【摘要】 如果把中国革命理解为二十世纪中国围绕共产革命与治理而形成的独特实践,那么它不仅只是一个国家机器向另一个国家机器的过渡,而且是一场大规模的社会结构与主体改造运动,涉及到一系列既不同于“传统”而又具有中国特色的态度、话语、制度以及权力形式。广大农村的革命实践,在1949年以前就占据了重要的理论/现实地位,之后更构成和推动了中国的“继续革命”。一九五○年代的农业合作化运动是土改之后展开的新的土地革命,也是中国革命由“新民主主义”向“社会主义”推进的重要组成。这一革命实践从各个方面深刻塑造了农村的结构与面貌。关于农业合作化进程的言说与书写,不仅是凭借大量的新闻报道、宣传手册、历史记述来实现,更是通过众多的文学艺术作品,以前所未有的再现形态或想象方式来完成的。其中,小说尤其是长篇小说占据了相当重要的位置,这一“虚构”模式往往成为我们想象、叙述“历史”的开端,很大程度上建立起了关于“历史”的理解和认识,记忆与想象。无论当时的评价还是历史的定位,最具有代表性和影响力当属赵树理的《三里湾》、周立波的《山乡巨变》和柳青的《创业史》(第一部)。本文尝试将对一九五○年代农业合作化长篇小说的历史/文学考察与所谓中国革命现代性的问题相勾连,借助“革命”与“生产”的话语—矛盾这一关系式概念作为分析工具与线索,以《创业史》、《山乡巨变》和《三里湾》三部小说为中心展开研究:一方面,在中国革命现代性这一问题意识下,将文本放置到更为开阔的社会历史文化语境中,重新审视其与农业合作化运动的现实/想象性关系;另一方面则通过对文本的细读,考察农业合作化运动乃至更广泛的革命实践对其文本铭写和“形式化”影响,以揭示文学与历史,小说与革命之间的复杂关系。本文认为,一九五○年代的农业合作化长篇小说生动再现了“新民主主义”向“社会主义”转变的话语—历史实践,同时也提供了对此过程的经验方式和书写形式。第一章从“革命”的角度切入“生产”,考察《创业史》中党政治理如何通过“生产”缓解与克服乡村社会的权力危机;第二章从“生产”的角度切入“革命”,观察《山乡巨变》里集体协作的劳动怎样联系起了“革命”的远景;第三章在“革命”与“生产”的相互作用与效果下,研究《三里湾》如何通过“家庭”的书写,把握乡村的基层治理和伦理秩序的关系;最后,尝试探讨中国革命复杂的文化实践与想象带给我们经由“文学”进入“历史”的契机与可能。更多还原

【Abstract】 If we take the Chinese revolution of 20th century as a unique practice, which on the communist revolution and govern in China ,it is not only a transition of one state to another, but also a large-scale social structure change, and the main reform movement that involves series forms of power which are different from "traditional" with Chinese characteristics and attitudes, words. The vast rural areas of revolutionary practice, in 1949 prior to occupy an important theoretical / practical position, even after the composition and promote China’s "continuing revolution." Agricultural Cooperative in the 1950s land reform movement was launched after the new agrarian revolution, the Chinese revolution by the "New Democracy" to "Socialism" an important advance. This revolutionary practice of the socialist transformation of small-scale peasant economy, the farmers of their own class consciousness, from the political, economic, and cultural aspects profound shaping the structure and the rural landscape. Agricultural Cooperative on the process of writing the statement and said, is not only with a lot of press reports, brochures, historical accounts to achieve, through the many literary and artistic works, to an unprecedented form of reproduction or imagine the way to completion. The fiction novels in particular, occupy a very important position, this "fictitious" model often become our imagination, described "history" the beginning, to a great extent built on the "history" of the understanding and awareness, memory and imagination. At that time, or whether the evaluation of the position of history, the most representative and influential Zhao Shuli’s "Three Mile Bay," Zhou Libo "Shan Xiang changes" and Liu Qing’s "History of entrepreneurship" (Part I).This thesis will try to create the connection between Agricultural Cooperative novels history / Literary Investigation and the so-called revolution in modern China On the one hand, the Chinese revolution in modern awareness of this issue, the text will be put to a more open society in historical and cultural context, re-examine its agricultural Cooperative Movement and the reality / imagination; On the other hand, through the reading, study agricultural Cooperative Movement and a wider range of revolutionary practice and write their text-ming, "Formal", with a view to reveal the history and literature, novels and the complex relationship between revolution. This article holds that the 20th century Siwushinian the land reform and re-integration of the rural areas of China and Construction of the political, economic and cultural patterns, and in the new country’s modernization process of socialist construction, also raised to a new revolution Requirements for agricultural Cooperative profiling from the "New Democracy" to "socialism" into the discourse - historical practice. In this sense, the Agricultural Cooperative in the 1950s novel vividly portrayed this period of history, but also provide a way this process and the experience of writing. "Entrepreneurial history" for the "new rich peasants" and the situation of class struggle in rural areas of concern, "Shan changes" for small farmers in production and collectivization about collaboration, "Three Mile Bay," the primary forms of governance and grasp the order of the family, constitute The Chinese revolution complex cultural imagination, and provide us the possibility from "Literature" into the "History".更多还原