论莫高窟第290窟中佛传故事画的艺术特征和形成背景

【作者】 宋红；

【导师】 焦小健； 杨参军； 章晓明；

【作者基本信息】 中国美术学院 ， 油画， 2008， 硕士

【摘要】 本文从艺术欣赏和创作分析的角度,对敦煌莫高窟第290窟的佛传故事画的艺术特征进行重点分析和论证,研究其所涉及的美学问题,阐述其形成的背景和对后世的影响,指出其乃内容与形式完美结合的、在形式语言各方面充分体现了艺术规律的、简淡、传神、富有中国绘画精神的杰出作品,以此完成针对敦煌艺术伟大传统中的具体作品,从绘画专业的角度进行再认识。更多还原

【Abstract】 From the perspectives of art appreciation and creation practice, the essay has made key analysis and arguments on the art characteristics of Buddhist stories painting at No. 290 Cave of Dunhuang Mogao Caves, probes into the involved aesthetics questions, expounds its background and its influence to later generations, and points out that the vivid Buddhist stories painting is rich in light and primitive simplicity, profound meanings and the spirits of Chinese paintings. The painting is a masterpiece which embodies the artistic rules from the formal language and other aspects. Therefore, the paper has completed the re-cognition of concrete works with grand Dunhuang art traditions from the angle of painting.更多还原