文革后中国当代绘画中毛泽东形象分析

【作者】 艾鹏；

【导师】 井士剑； 成南炎；

【作者基本信息】 中国美术学院 ， 油画， 2008， 硕士

【摘要】 改革开放以来,艺术界的文艺思想也由文革时期的强大的政治背景束缚下逐渐变得开放,在这样一个相对开放的意识形态下,中国当代艺术中出现大量的描绘毛泽东形象的作品。而在这些作品中我们不难发现,传统的对政治领袖的神圣,庄严的描绘,以及顶礼膜拜式的崇敬变成了另外一番景象。随着中国前卫艺术、尤其是“政治波普”的兴起,毛泽东的形象更带有一种符号化的特征,其中也出现了一些在部分观众看来是不甚敬意的倾向,本文就当代艺术对毛泽东这一形象的阐述展开分析以及由此引发的启示。更多还原

【Abstract】 Since reform and opening up, Mei Shujie artistic ideas from the Cultural Revolution period of strong political background under the shackles of gradually become open. In such a relatively liberal ideology, the Chinese contemporary art in a large number of works depicting the image of Mao Zedong. In these works, we can easily find, the traditional political leaders of the sacred, solemn painted, and pay homage to the respect of the other into a scene. As China’s avant-garde art, especially the "political Pope," the rise of Mao Zedong’s image with a symbol of the features, some of which have appeared in some of the audience appeared to be less inclined to pay tribute to. This article on contemporary art Mao Zedong launched on the image of the analysis, and thus trigger inspiration.更多还原