【作者】 喻冰如；

【导师】 姜松荣；

【作者基本信息】 湖南师范大学 ， 课程与教学论， 2007， 硕士

【摘要】 插画艺术的发展离不开插画艺术的人才培养,要培养适应于数码时代要求的插画艺术设计人才,就必须建立一套适应于数码时代插画艺术市场人才需求的以就业为导向的高职插画艺术专业人才培养的教学模式。本文根据数码时代的特点和插画的发展过程,重新认识了插画,分析了数码时代因技术变革和全球化背景带给插画的挑战与机遇,赋予了插画的时代定义、扩展了插画的内涵。插画是艺术与技术结合的边缘艺术,是一种结合图像和文字的视觉传媒艺术,先进的数码技术、数字化和产业化、行业特征成为了数码时代插画艺术的主要特征。通过对数码时代插画艺术的重新认识及研究其在时代背景下所面临的挑战与机遇,进一步认识了插画艺术的时代意义和数码时代插画艺术行业职业岗位对插画艺术人才的要求。内涵延展后的数码时代的插画艺术已被广泛运用于广告、传媒、出版、影视等领域,并被细分为多种专业类型。插画师可以任职于广告、动画、影视、游戏、出版、网络等社会行业的企业职业岗位,而不再局限于书刊、出版物行业。面对数码时代插画岗位群变化的环境下,高校插画教学却反应迟钝,不能做出与之相应的变革以适用于数码时代插画艺术人才市场需求。本文为谋求插画艺术的发展,论述了构建高职插画专业课程体系与教学模式必须符合数码时代和全球化背景下插画艺术人才市场需求以及高职教育的特点。本文从数码时代插画艺术岗位需求出发,形成了一套完全以适应数码时代插画艺术发展需要的高职插画艺术专业以就业为导向的人才培养教学模式,通过论证高职插画艺术教学模式的建立,为数码时代高职插画艺术教学的改革提供了理论支持。更多还原

【Abstract】 Education is the key point for the development of the art of illustration. In the new digital age, the establishment of a new mode of education is necessary. It should be based on the necessity of our society, should be based on the consideration of students’ career.In this thesis, I will present what I thought about illustration by examining the characters of digital age and the evolutionary development process of illustration. I will also analyze the opportunity and challenge brought by the revolution of technology and the international influence of visual art in digital age. From my point of view, illustration should have contemporary meaning. It is a combination of art and technique, a combination of image and text. Based on this notion, I will enlarge the range of the concept of illustration, put it into a broader context.The new duties of college are another issue I will discuss. I will indicate the problems existing in our educational system today. I feel that college education should be based on the necessity of our society. When we teach student, we have to consider their future career. I will argue in my thesis that we should have refresh our curricula system in order to echo this change to develop a set of new educational strategies.更多还原