【作者】 冯万红；

【导师】 张岩泉；

【作者基本信息】 华中师范大学 ， 中国现当代文学， 2008， 硕士

【摘要】 本文以韩少功从一九七八年至今创作的小说为研究对象,以这期间小说风格的两次转变为线索,具体论述了韩少功小说三个不同阶段小说风格的特征,小说风格转变的原因以及转变的意义。全文分五个部分,具体框架如下:引言:对韩少功小说的研究主要有对韩少功小说的单篇解读,如《爸爸爸》、《女女女》的单篇解读,或者是对韩少功寻根小说地域文化色彩的分析,也有对韩少功小说中某个具体人物形象如丙崽的分析,对韩少功小说文化内涵和叙事特点的阐释。而本文则试图将韩少功从一九七八年至今创作的小说作为一个整体,以韩少功从一九七八年以来至今的小说作为研究对象,以一九八五年和一九九六年为界限,具体深入地分析了一九八五年前,一九八五年至一九九六年,一九九六年以后这三个阶段韩少功小说的不同风格特征。第二部分:韩少功三个不同创作阶段里,其小说呈现不同的风格特征,以及这些不同的风格特征有其具体的演变,主要体现在小说语言的变化、小说形式的变化、小说中乡土视角的演变、小说中感性与理性的交融。第三部分:两次小说风格转变的原因。一是社会和文学思潮的影响。二是韩少功自身的文化性格和艺术观念。三是韩少功小说创作手法的运用。第四部分:两次小说风格转变的意义。包含了以下三个方面:一是预示了韩少功创作上的成熟,二是开拓了自己独特的审美境界和语言表达风格,三是有助于对特定时代和地域的感性认识。结语:韩少功小说风格两次转变标志了他在创作上的自我超越,形成了自己独特的创作风格,有利于自己创作上的飞跃和提升。但由于韩少功的怀疑主义以及从一九九六年以后对语言问题的思考本身存在疑惑,导致他的小说充满神秘色彩甚至晦涩难懂。更多还原

【Abstract】 This paper mainly research on Han shao gong’s novels which are written form 1978 to now, during this period ,there are two transform of the style of his novels,these transform can be the clue of this paper. So this paper comment the character of the style of Han shao gong’s novels concretely form three different periods. It also comment the reasons and significance of the style transform. This paper has five parts,the conceret frame as follows:Forword:Research on Han shao gong’s novels mainly includes following aspects:the sheet understands and explains some novels,the analysis to region culture colour of Han shao gong’s seek roots novels,the analysis to the conceret personage image as Bing zai ,the expound to the culture connotation and narrate characteristic of Han shao gong’s novels.But this paper tries to treat the novels which are written form 1978 until now as a whole,researchs on novels which are created by Han shao gong form 1978 until now. This paper takes 1985 and 1996 as boundary, analyses different style character in three different periods conceretly and thoroughly.Part II :In these three different creat stage, Han shao gong’s novels appear different style character, these different style character have its own sonceret transform. These transform embody in the change of the novels ’ language and novels ’ forms, the development of home village visual angle in these novels and the mingles of reasons and perceptual of these novels.Part III:The reasons of the style transform of Han shao gong’s novels. There are three reasons: first, the effect on society and literature trend of thought,;second, the culture character and art concept of Han shao gong ;third, the applying of novels’ creat gimmick.Part IV:The significance of the style transform of Han shao gong’s novels. It includes three following aspects: first, it forebodes the mature of Han shao gong’s novel creat ; second, it opens up the unique appreciation of the beauty realm and language express style; third,it is conducive to perceptual knowledge about the specially appointed times and region.Concluding remarkes: Twice transfoms about the style of Han shao gong’s novels sign Han shao gong’s self-surpass in his creat, form the unique style. It is conducive to the leap and advance of his creat. But, as Han shao gong’s doubt doctrine and uncertainty about the thought of language problem after 1996, these lead to fullness of mysterious colour even hard to understand about his novels.更多还原