【作者】 龙婷；

【导师】 董芦笛；

【作者基本信息】 西安建筑科技大学 ， 设计艺术学， 2008， 硕士

【摘要】 近百年来我国遭受到世界列强的侵略,社会处于极度贫困时期,可以说近百年来基本没有什么风景园林的建设或研究,因此,风景园林造园的创作设计基本断代,改革开放后,社会经济有了极大的发展,风景园林的建设也提到日程上来,虽然我国有优秀传统的园冶艺术,但是由于近期缺乏理论的研究和人才的开发,其次是时代已进入高科技为基础的大众生活时期,风景园林大众享用的性质改变了传统园林艺术的手法。如何因地制宜地创造设计具有我国传统园林艺术,本文的研究就在这样的背景下展开,如何通过视觉组景的手法在有限的环境要素中创造丰富的视觉感知效果?如何运用有效的设计手法在特定的环境中传造现代滨水游憩空间?如何通过对杭州西湖的借鉴,在不同的环境条件下营造既具有中国传统山水诗画意境又具有现代功能要求的滨水景观?本文通过对这些问题的研究提出现代城市滨水公园景点设计的方法。本文基于环境心理学、景观学、美学、大众行为学等学科的基础,以现代、自然、生态,为原则,用因地制宜的思想来设计具有传统诗画意境的现代滨水景观,论文的主要成果如下:第一,通过借鉴杭州西湖的传统园林艺术,从视觉组景的角度研究分析出适宜于西安浐河桃花岛景区的视觉组织手法。具体有:1、通过景点之间的视觉通廊最大化尽可能扩大视觉空间效果;2、通过围绕视觉通廊布置景点的方法,尽可能使可观赏的景致丰富;3、通过控制人的活动行为方式来引导人的视线,使观景的视觉感受多样化。三个方面的组织手法共同创造出适合于西安浐河桃花岛景区的良好视觉效果。第二,通过对现代城市滨水公园游憩空间的研究,总结出适宜于西安浐河桃花岛景区游憩空间的设计手法。具体为:1、因地制宜的组织“复线”游览路径,增加垂直方向的空间层次;2、巧妙的划分游憩空间,在有限的空间中得以实现游憩行为的多样化;3、充分利用景点中“看与被看”的空间特质使游憩活动更具有可观性和可赏性。第三,通过对西湖以及浐河桃花岛景区景点的研究分析,得出在现代城市滨水公园中同样可以传承中国传统的山水诗画意境。具体在:1、运用丰富空间层次的方法,增强视觉上的感官效果。2、让人从多角度去感受意境,视觉,听觉、嗅觉、触觉。3、传统植物组景,空间营造格局“一池三山”等,来增强景观意向的感知。更多还原

【Abstract】 In the past two centuries, China was repeatedly invaded by foreign powers, the society has experienced an extreme poverty time. It can be said that there was no construction or research toward landscape during this time. Therefore, Landscape design had been brought into a standstill. Since China introduced reform and opening up policies, society and economy have progressed considerably, the construction of landscape also has been placed on our agenda. Though there were splendid traditional art of gardening in China, we are still short of nowadays theoretical research and talent development. As we have entered an era full of "public life" that base on high tech, the ways of gardening have been changed by the "public" spirit. How to create landscape with Chinese characteristic according to local conditions? How to enrich visual effects by juxtaposing different landscapes? How to use effective ways to create modern recreation space in urban waterfront? How to borrow idea from Hangzhou West Lake, building landscapes that possess traditional artistic conception of Chinese landscape painting and also accord with needs of modern functions? By study of these problems, this paper put forwards design methods for building scenery spot in modern urban waterfront parks.The research of this paper, based on environmental psychology, landscape architecture, aesthetics and mass behavior psychology, uses modern, natural and ecological as its basic principle. Meanwhile, by using the idea "adaptation to local conditions", this paper aims at building modern waterfront landscapes that possess traditional artistic conception of Chinese landscape painting. The main achievements of this paper are as follows:First, this paper, by referring to traditional art of gardening of Hangzhou West Lake, puts forward ways of "visual-organization" that suit for scenic area of Taohua island in Xi’an Chanhe River area. Such as: (1) To enlarge visual space by building visual corridor between different scenery spots; (2) To enrich landscapes by building scenery spots around the visual corridor; (3) To diversify visual perceptions by controlling people’s movement and behavior. These three ways of organization together create favorable visual effects that suit for scenic area of Taohua island in Xi’an Chanhe River area.Secondly, by studying the recreation spaces of modern urban waterfront parks, this paper concludes design methods that suit for recreation space of Taohua island scenic area in Xi’an Chanhe River area. Such as: (1) Organizing "complex line" touring route in line with the local conditions to increase the vertical levels; (2) Differentiate recreation space tactfully to achieve diversification in limited space; (3) Making good use of spaces’ characteristic "see and seen" to enhance the esthetic value of recreation behavior.Finally, by study of scenery area and scenic spots of West Lake and Taohua island, this paper concludes that modern urban waterfront park can also carry traditional artistic conception of Chinese landscape painting. Such as: (1) To strengthen visual perception by enriching space dimension; (2) To let people feel the artistic conception t by sight, hearting, smell and touch. (3) To strengthen the perception of landscapes by usingtraditional way of plant-organization or spatial pattern of "one-pond & three-hill".更多还原