【作者】 李洁；

【导师】 朱敬修；

【作者基本信息】 河南大学 ， 音乐学， 2008， 硕士

【摘要】 30年代摇摆乐是爵士乐史上一个意义非凡的时期。本文的写作思路是通过对于摇摆乐时期音乐现象的分析,以及对于摇摆乐时期黑白音乐文化的融合现象的论述,从而扩大到对爵士乐中的其它音乐文化融合现象做出较为全面和深入的论述。序言是对文章选题意义和写作目的的阐述。正文分为四章。第一章主要介绍爵士乐初期的发展,目的是为了引出摇摆乐的产生,第二章详细阐述了摇摆乐的风格特征,第三章是摇摆乐时期音乐表现的论述,主要通过这一时期具有代表性的三个乐队做出分析,这一章的重点是最后一节对于摇摆乐时期黑人音乐文化和白人音乐文化的融合的论述,第四章是本文的重点。在前两章的基础上论述爵士乐中存在的各种文化现象,以此来说明,爵士乐早期的各种音乐文化是以各自独立的形态相“结合”在爵士乐中的,而到了摇摆乐时期,黑人文化和白人文化越来越多的交流,在这个过程中渐渐融合到了一起。从中看出摇摆乐在整个爵士乐发展中的重要地位。更多还原

【Abstract】 The paper begins with the analysis of Swing phenomenon, which is a very important stage in the process of the development of jazz and exposition of the integration of black and white musical culture phenomenon. Then the article extends to other music culture fusion phenomena with a more comprehensive and deeply discussion. The preamble is about the meaning of topic choice and the significance on the purpose of writing. The paper is divided into four chapters. Chapter 1 introduces the historical background of the formation of the terms "jazz" and "Swing", and it is also in order to discuss the history and culture existing in the jazz in a more detailed and specific way. The second chapter elaborates the style characteristics . The third chapter elaborates music performance of Swing, mainly through the analysis of three representative bands of this period. The focal points of this chapter are the contents of the last paragraph about the integration of the black and white music culture. The forth chapter is the focus of this paper. It explains the cultural integration included in jazz, in order to show that jazz is not a specific race music while it is an outstanding music consisting of kinds of musical culture.更多还原