【作者】 张晴；

【导师】 文旭；

【作者基本信息】 西南大学 ， 英语语言文学， 2008， 硕士

【摘要】 本论文运用Fauconnier和Turner等人提出的概念整合理论从认知的层面上对汉语唐诗中月亮意象的意义建构进行分析,旨在运用这一理论阐释唐诗中月之意象的意义建构的认知机制,为唐诗意象研究提供一种新的研究角度和方法。概念整合理论具有完整的框架结构,遵循一套完整灵活的运作机制。它的基本运作需要四个心理空间:两个输入空间,一个类属空间和一个整合空间。在整合过程中,两个输入空间中的成分有选择地投射到整合空间。通过组合、完善和阐释的过程,生成输入空间所没有的新结构。运用这一理论可以解释人们理解唐诗中月之意象的心理运作机制,从而为从认知角度诠释唐诗的意象研究提供一个新的视角。全文由六部分组成。第1章简要介绍论文研究的方向和基本结构。第2章从文献梳理的角度,简要介绍了概念整合理论的发展过程和应用,并回顾了前人对唐诗中月亮意象的研究。第3章进入研究过程的实质阶段,结合实例探讨了月亮在唐诗中的意象和唐诗的自身特点。第4章和第5章是全文的核心,其中第4章对概念整合理论进行了系统的介绍,包括概念整合网络,类型、运行原则,关键关系以及概念压缩,并结合具体的唐诗例子进行了深入的探讨和分析。第5章是研究的重点所在,运用概念整合理论和概念整合网络对唐诗中月之意象进行分析。分析从概念整合网络框架下的单型网络,照映网络,单畴网络和双畴网络四个类型展开,这些类型都通过关键关系的压缩来实现诗歌的意义建构。通过这些分析,证明概念整合理论对于唐诗中月之意象的意义建构具有强大的解释力。最后一章给出了研究结论,并且提出了后续研究的若干建议。更多还原

【Abstract】 This dissertation employs a cognitive approach to the interpretation of the moon’s images in Tang poetry within the framework of conceptual integration theory (CIT) which is proposed by Gilles Fauconnier and Mark Turner as a cognitive operation and serves a variety of cognitive purposes. This dissertation attempts to demonstrate the mental cognitive meaning construction process and offer an alternative perspective on the study of the images in Tang poetry.Conceptual integration theory has complete networks, which function independently according to a set of uniform structural and dynamic principles. The basic operation is comprised of four mental spaces: two input spaces, one generic space and one blended space. In blending, structures from spaces are selectively projected to a separate "blended space". Through composition, completion and elaboration, the blend develops structures that are not provided by the inputs. With this theory, the hidden cognitive mechanism involved in the comprehension of the moon’s images in Tang poetry can be revealed.The whole dissertation is made up of six parts. Chapter 1 presents a brief introduction to the general framework and the research direction of the study. Chapter 2 generalizes the development of CIT and its applications briefly by means of literature review, and it looks back on the previous study about the moon’s images in Tang poetry as well. Chapter 3 enters the virtual stage of the study, as it explores the moon’s images in Tang poetry and the characteristics of the Tang poetry itself. Chapters 4 and 5 are the heart of the whole study. In Chapter 4, the conceptual integration theory is explicated with relevant cases in detail, including conceptual integration network (CTN), the network model, four kinds of sub-networks, operation principles, and compressions of vital relations. Chapter 5 is the pivot of the study, and it is the specific application of the CIN. The analyses are demonstrated with a case study from four types: simplex network, mirror network, single-scope network and double-scope network which concern the moon’ images in Tang poetry, and the meaning constructions of the four types are fulfilled by the compression of vital relations. The research proves that conceptual integration theory is a powerful explanatory theory in cognitive interpretation of the moon’ images in Tang poetry. The last chapter is a conclusion of the whole thesis in which suggestions for further study are presented.更多还原