意识形态规训下的爱情

【作者】 侯延领；

【导师】 李掖平；

【作者基本信息】 山东师范大学 ， 中国现当代文学， 2008， 硕士

【摘要】 “十七年”在本论文中是指从1949年第一次文代会召开到1966年“文革”爆发的这一段中国当代文学史,在这一时期,文学在既定的意识形态藩篱中发展,从而形成了“十七年”文学独特的运行规律和显在景观。本论文运用叙事学的研究方法对“十七年”文学的“革命”小说进行“再解读”,通过对“十七年”的“革命”小说中情爱叙事的考察,本论文试图发现意识形态对于个人化爱情的抑制和改写,并且试图描绘出爱情与革命、阶级等话语之间的关系图谱,从而衡量本属于私人领域的爱情在“十七年”小说这一话语实践中的作用和意义。本论文共分为两部分,第一部分是对情爱情节进行叙事结构分析。情爱叙事在“十七年”小说文本中是压制性、依附性的存在。但即便这样一种存在也被赋予了意识形态的意义,意识形态对爱情的每一个阶段上几乎都有特殊的规定性,或者说,阶级的、革命的话语使爱情话语表现出特定的修辞特点,从而使不同的情爱故事表现出了相似或相近的情节内容。本论文尝试以“叙事开端”、“叙事发展”与“叙事结局”来划分与概括“十七年”“革命”小说中情爱叙事的三个基本阶段,在叙事开端阶段,爱情一般设置为缺席状态;在叙事发展阶段,爱情往往处于一种争夺状态;在叙事结局阶段,爱情一般有合卺与仳离两种结局。通过这一框架,论文要完成情爱情节的叙事结构分析,并试图考察意识形态在每一个阶段上所起的作用。第二部分主要分析了情爱叙事的叙事成规,叙述者在秉承意识形态的意志书写这些情爱故事时,形成了较为固定的叙事成规,意识形态正是通过这些叙事成规干预和控制了情爱故事的整个叙述过程,这些成规固然在一定程度上破坏了情爱故事的历史真实性,但却也不是完全没有积极意义,它使意识形态对情爱叙事的干预和控制变成故事发展的让人信服的线性秩序,使故事具有了一幅真实生活的面具。而且,情爱情节也正是通过这些叙事成规得以顽强地存留于“十七年”的“革命”小说文本中,应该说,情爱情节与这些叙事成规之间形成了一个既排斥又依赖并且互相利用的复杂关系,情爱情节受到了这些叙事成规的压抑和变形,但也因此获得了一个合法性的表述机会。这些叙事成规主要包括以下三个方面的内容:爱情的延宕式叙述;爱情的被借用命运;爱情的被置换表达。爱情作为文学的永恒主题之一,在“十七年”文学中却从没有成为小说的主要表现对象,它一直从属于革命、阶级斗争、合作化等宏大的主题,它其实是以婢女的身份存在的。本论文从文本出发,探讨了爱情在革命、阶级、合作化等强势话语下的存在状态及其叙述策略,揭示了爱情在“十七”年文学中的存在真相。更多还原

【Abstract】 “17 Years”in this paper refers to the first time from 1949, which is convened in 1966 to the“Cultural Revolution”period of the outbreak of Contemporary China, during this period, literature is developed in the barriers of established ideology, thus forming the“17 Years”Literature laws governing the operation of unique and significant in the landscape. In this paper, reinterpreting“17 Years”Novels on the Revolution by using the method of narrative, Through inspection of the“17 Years”Novels on the Revolution, the paper tries to find personal love of inhibition and rewritten by ideology, and tries to portray the relationship of love, revolution and class, and the discourse patterns, which is the measure of love in the private sector“17 Years”novels of this discourse practice in the role and significance.This paper is divided into two parts, the first part analyses narrative structure of the love plot. Love narrative in the“17 Years”version of the novel is oppressive, and dependent existence. But even such a presence was also given the significance of ideology, the ideology of love at every stage of almost all of the special provisions, or that the class and revolutionary discourse to love words to a specific performance characteristics of rhetoric so that different love stories show a similar content or similar circumstances. This paper attempts to“Narrative beginning”,“Narrative development”and“Narrative outcome”to divide and the general the three basic stages of love narrative of“17 Years”Novels on the Revolution, beginning in the narrative stage, the absence of love in general is set to state; in the narrative stage of development, often in a love for the state; in the narrative outcome stage, and love generally have two kinds of Marriage and Seperation. Through this framework, this paper completes the plot of love narrative structural analysis, and try to study the role played by ideology in every stage.The second major part analyses narrative rules of the love plot, the narrators uphold the ideology of writing these love stories, formed a relatively fixed narrative rules, through the rules, ideology intervents and controls the whole narrative process of the love story. To a certain extent, these rules are undermined the authenticity of the historical love story, but these are not totally positive, these make the ideology of love narrative story into intervention and control the development of people convinced that the linear order so that the story has a real-life masks. Moreover, through these narrative rules, the love plot is tenaciously hold in the text of“17 Years”Novels on the Revolution, it should be said that, with these circumstances love narrative rules are formed the complex relationship between rejection and dependence and make use of each other. Love plots are depressed and deformated by these rules, but also get a legitimacy chance of the expression. These rules include the following three aspects: the delied love narrative; the borrowed fate of love; the replaced expression of love.Love as one of the eternal literature theme, has never become a main performance targets in the“17 Years”Novels on the Revolution, it has been subordinate to the grand themes such as the revolution, the class struggle, Agricultural Cooperation, it is actually exist using the identity of servant girl. From the text, this paper explores The state and narrative strategy of love in the strong words such as revolution, class, the Agricultural Cooperation, and reveals truth of the love in the“17 Years”literature.更多还原