【作者】 罗佳；

【导师】 龙德云；

【作者基本信息】 贵州师范大学 ， 课程与教学论， 2007， 硕士

【摘要】 歌曲伴奏中的“立体横向思维”,是一个构建在感性认识与理性认识之上的原创性思维。从微观到宏观逐级地分析构成这个立体空间的各类音乐要素,以及构成歌曲伴奏的几个重要结构组合,目的在于对伴奏中的“立体横向思维”有一个深刻、细致的了解。而这样的从浅入深的思维认识过程也是适用于其他形式的音乐作品的认识过程。具体到本篇论文中的“立体横向思维”,在广义上主要指的是歌曲伴奏与歌词及歌曲旋律之间一种密切的、织体化的、形象化的内在联系。以声乐作品的伴奏作为研究的着眼点,分析诸多歌曲伴奏中“立体横向思维”的内在发展因素的构建原则和创作手法,这有益于我们更好的认知和理解歌曲伴奏中的“立体横向思维”理念及其发展规律在歌曲伴奏中的功能和作用,从而指引在分析一首带伴奏的完整的声乐作品时,找到并树立一种对歌曲及歌词结构及思想同步发展的立体横向思维。全文对声乐作品进行多角度、多层面的剖析,对具有代表性的作品由表及里的展开研究,试图在点、线、面的个体分析和三者的组合分析中解读“立体横向思维”存在于抽象的时间概念及立体的空间中的形式。通过对具有典型代表意义的歌曲及歌曲伴奏的研究,其中包括节奏、音高、强弱、句式划分、织体发展、高潮处理及复调技术手法的运用等方面进行归纳与总结,论证“立体横向思维”这一歌曲及歌曲伴奏中的主、复调因素,在声乐作品乃至更多音乐作品里相互渗透和影响的客观性、必然性以及在具体的声乐作品当中该如何给“立体横向思维”进行艺术定位。这有利于在一首歌曲的伴奏和演唱部分,以及在现代声乐艺术的教学与研究中,能正确解读原创的创作理念和精神内涵。从而能够更好的进行第二度和第三度的再创作。更多还原

【Abstract】 “The three-dimensional crosswise thought in the song accompaniment”is original thought which is built on both of the rational knowledge and perceptual knowledge. From the microcosmic to the macroscopic progressive analyzing the various of the music element in the three-dimensional space and the several significant construction of the song accompaniment are result from profound and careful understanding concerning with the“three-dimensional crosswise thought”in the accompaniment. Moreover the process of thought which goes from the easy to the difficult and complicated is also suitable in other style of vocal music composition. Making concrete the“three-dimensional crosswise thought”in this paper, it generalized means that there is intently, complicated and visualization internal connection between the accompaniment of the song and the rhythm of it. Focus on the research of the accompaniment of the vocal music composition and analyzing the construct principal and creative method of the internal development element of“three-dimensional crosswise thought”in many accompaniment of song will contribute us to more recognize and understand the function and role of the idea of“three-dimensional crosswise thought”in the accompaniment of the song. Thus we can find and establish a kind of three-dimensional crosswise thought in view of the construction and the thought of the song and the lyrics when we analysis a integrity vocal music composition with accompaniment.Analyzing the vocal music composition with multiply perspective and multi-stratification planes and researching the representative work is attempted to explanation the form of the“three-dimensional crosswise thought”existing in abstract conception of time and three-dimensional space which can be through the personal analysis of spot, line and surface and structure analysis of them. Through research of song accompaniment and typical songs which include the induction and summary of rhythm, pitch, strong and weak, sentence type division, fabricate development, climax handling and the technical of duplicate accent prove that objectivity and necessity of seepage and influence mutually of the main tuning and duplicated accent of“three-dimensional crosswise thought”and how to artistic locate the“three-dimensional crosswise thought”. Above mentioned is benefit in the accompaniment and performance of song and teaching and study of modern vocal music which can be able to explanation the creation idea and spirit content of the original work. As a result the second recreation can be accomplished much better.更多还原