【作者】 解荣昌；

【导师】 曹建文；

【作者基本信息】 景德镇陶瓷学院 ， 美术学， 2007， 硕士

【摘要】 本文从六个方面总结论述了晚明青花山水兴盛的原因。社会的政治、经济、文化生活包括主流的审美思潮和哲学思潮都会在艺术上留下深深的痕迹。在明、清时期，文人文化一直占据着社会的主流，文人在社会文化生活中一直处于主导地位，山水画一直是中国文人抒发自己思想感情的画种，文人在中国封建社会的艺术中占统治地位，并影响了其他种类的艺术。晚明青花山水的兴盛，文人与市民审美思潮的影响是重要的原因之一。政治上腐败的晚明社会中，资本主义生产关系已经在景德镇的陶瓷工场中萌芽，使民窑生产力大发展了。陶瓷艺术是工艺美术，离不开必要的技术，“分水”技法的出现和发展成熟是青花山水兴盛的技术因素。版画画谱的影响、市场的刺激、主要客户的品位、山水画功能等因素也是兴盛的原因。更多还原

【Abstract】 This article summarized to elaborated the reasons of the blue and white landsapceramic prosperous in late Ming dynasty from six aspects. Society’s politics,economythe cultural life can leave behind the deep trace including the main stream esthetic id-eological trend and the philosophy ideological trend in art. In Ming and Qing dynasty,the intellectuail always occupies society’s main position, the intellectual always is b-eing in the dominant position in the social culture life, the landscape painting alwaysis the Chinese intellectual expresses the oneself thoughts and feelings the picture toplant, the intellectuai occupies the dominant status in China feudal society’s art, andhas affected other types art. The late Ming dynasty the tobacco mosaic scenery prospe-rity intellectual’s influence is one of important reasons. In politics in corrupt the lateMing dynasty society, the capitalist production relations already germinated in Jingde-zhen’s ceramic workshop, causes the people kiln productive forces greatly to develop.Ceramic art is the industrial art, can not leave the essential technology, "Fenshui" thetechnique appearance and the development is mature is the tobacco mosaic scenery pr-osperous technology factor. The print Huapu influence, the market sti-- mulate, main fa-ctor and so on customer personal status, landscape painting function also is theprosperous reason.更多还原