【作者】 金镇国；

【导师】 金顺爱；

【作者基本信息】 东北师范大学 ， 课程与教学论， 2007， 硕士

【摘要】 意大利美声唱法是歌剧的产物,美声唱法的发展与歌剧是分不开的。十八世纪阉人歌手的脱离歌词内容而炫耀花腔技巧的歌唱风格、使美声唱法的发展走向卖弄技巧而不重视音乐内容的形式主义。进入十九世纪,一些歌剧作曲家和演唱家的努力下,美声唱法进入了新的发展时期。十九世纪下半叶,伟大的歌剧作曲家威尔第在继承意大利歌剧的丰富传统,把歌剧艺术推向了顶峰。他的音乐充满着戏剧性,注重刻画人物心理,反映深刻的社会现象。他个性鲜明的艺术创作风格,对歌剧演唱提出了新的要求。表现威尔第的歌剧的剧情内容,声音就要求铿锵有力、慷慨激昂、富有男子气概的威力。为了求得丰满、明亮、具有洪大音量并能表现戏剧性高潮的高音,演唱者必须比前人的演唱混人更多的胸声。而且在演唱中为了使感情得到更为淋漓尽致的发挥,允许适当地运用滑音和颤音等演唱技巧。最重要的是威尔第始终坚持着音乐要为塑造人物性格、刻画人物心理,进而为表现戏剧内容服务的艺术观点。威尔第的歌剧创作不仅给美声唱法的演唱技术上开辟了新的发展空间,同时给美声唱法的演唱注入了深刻的思想情感内涵。本文分三个部分:一、19世纪以前美声唱法及其发展概况。二、19世纪欧洲的声乐艺术发展及其对歌剧的影响。三、通过分析威尔第的歌剧创作,探究威尔第的歌剧创作对意大利美声唱法的贡献。更多还原

【Abstract】 Italian bel canto is a product of Opera, and development of bel canto is inseparable with opera. Spa do singers of the 18th century are from the lyrics and singing style to show coloratura skills and this made Bel Canto to the development of skills to play the music as formalism so without paying attention to content. In the 19th century, with a number of opera composers and singers efforts, the Bel Canto entered a new period of development.Late half of the 19th century, the great Italian opera composers Verdi operas in the succession of rich tradition of, put Opera to a peak. His music is full of dramatic, emphasized on thought, reflecting deep social phenomenon. His distinctive personality is an art style, formed a new requirement for an opera singer. Opera performance of Verdi’s drama, sonorous voice demands a strong, passionate, full of the spirit of man power. To achieve fullness, bright, and that they would show a dramatic upsurge in the volume with the Central Committee of the Treble. Concert should be more than the previous concerts were mixed chest voice. The singing feelings in order to be more instruments to play, were allowed proper use of portamento and vibrato singing skills. Verdi‘s the most important thing is to create music for personality, psychological characterization. Then is proceeding to the performance of drama as artistic perspective.Verdi’s operatic bel canto is not only t technically create a new space for development, but also instill a deep emotional content into bel canto singing.This paper is divided into three parts: First, to understand the bel canto developments before the 19th century. Second, it is to understand 19th century European vocal music development and the influence of the opera to vocal art. Third, the analysis of Verdi’s Opera Composing , to explore Verdi’s opera creative contribution to the Italian bel canto.更多还原