【作者】 夏凡；

【导师】 李岩；

【作者基本信息】 中国艺术研究院 ， 音乐学， 2007， 硕士

【摘要】 程懋筠在中国近现代音乐史上是一位做出诸多贡献的音乐家，但在他去世之后近现代史却没有提及他，直到上世纪90年代后才逐步有了关于他的研究文章。本文以已有研究程懋筠的论文为基础，进一步从程懋筠的音乐思想、音乐作品、音乐活动三个方面，结合20世纪30年代的历史文化背景对程懋筠进行较为全面深入的研究，从而对这个中国近现代音乐史上曾经避而不谈的音乐家重新认识并做出相对客观的评价。全文共分为五个部分，第一章是程懋筠的生平事略的简要介绍；第二章是在程懋筠数十篇音乐论文的基础上，抓住其较为典型的音乐思想，结合20世纪初的中国音乐思想进行分析；第三章将能收集到的程懋筠的音乐作品进行归纳、分析，重点分析其抗日救亡歌曲：第四章整理研究程懋筠的音乐教育主张与其紧密相关的推行音乐教育的工作、活动；第五章是全文的小结。更多还原

【Abstract】 Cheng Maoyun, a musician who made contribution in multi-fields in recent-modern music history of China, is seldom mentioned in the recent-modern history after he died. Until the late of the 1990s, study articles about him gradually appeared. Based on the published papers about Cheng Maoyun, music ideas, music works and music activity of Cheng Maoyun are further studied, combined with historic and cultural background in the 1930s. The musician, who have ever not been mentioned or discussed in the recent-modern history, is re-realized and a relative actual evaluation is made.The thesis is divided into five parts. In the first part, resume of Cheng Maoyun is simply introduced. In the second part, based on tens of music papers of Cheng Maoyun and the music ideas of China at the beginning of 20th century, his typical music ideas are analyzed. In the third part, the collected music works of Cheng Maoyun are concluded and analyzed, focusing on the analysis of his anti-Japanese, national salvation songs. In the four part, the ideas of Cheng Maoyun in music education, including his work and activity in the introduction of music are analyzed and studied. In the five part, the conclusion of all thesis is made.更多还原