【作者】 邹旗辉；

【导师】 陈怀琦；

【作者基本信息】 江西师范大学 ， 中国现当代文学， 2007， 硕士

【摘要】 苏童作为“先锋派”作家的重要代表之一,从1987年开始引起文坛的广泛瞩目,先后创作出“枫杨树系列”、“红粉系列”和“香椿树街系列”等小说系列,从“先锋派小说”到“新历史小说”和“新写实小说”,再到后来向“现实主义”小说的创作转型,苏童凭借其超常的艺术想像和锐意求新的作家本能发掘出极其丰厚的文学资源。然而从整体创作特色来看,苏童是一个对自己童年记忆十分倚重的作家,而从具体的创作实绩来看,对少年成长题材的关注几乎贯穿了苏童创作的始终。苏童以其独特的生命体验和灵魂的真诚探索为“60年代人”成长的丰富性和复杂性做出了一个具有艺术独创性的诠释。然而,苏童对自己“匮乏与缺损”的童年的执著回忆和想像,一方面反映出作家对当下现实表现和把握的无力,另一方面也在一定程度上折射出“60年代出生作家群”普遍的创作特点和艺术困境,即成长于荒芜岁月的特殊历史际遇使之对现实抱以“旁观”的写作姿态,习惯于以对童年记忆和成长体验的书写来表达对现实沉重的焦虑与迷惘,而这正是苏童与现实之间独特的精神通道,也是其创作的个性与风格所在。更多还原

【Abstract】 As one of the most important representatives of“pioneer”writers, Su Tong engaged the attention among the literary world since 1987. He created series of novels from“the maple and poplar’s”to“bosom friends”, and to“the street of Xiang Chun Shu’s”. He explored intensive literary sources with his extraordinary art imagination and creative instinct, changing the styles of his creativity from“pioneer novels”to“new historical novels”, from“new realistic novels”to“realistic novels”. In relation to the characteristics of his creativity, Su Tong is a writer who depends largely on his childhood memory. And the themes concerning the growth of the youth penetrate his works. He made a creative artistic interpretation of the abundance and complexity of people in the 1960’s with his unique life experience and sincere exploration of soul. However, the persistent recollection and imagination of his own“poor and missing”childhood reflect not only the writer’s disability of presenting and grasping the reality, but also the creative traits and artistic jeopardy of writers in the 1960’s in some way. Simply put, they all grew up in a desolate period. It is this special history that makes them look like an outsider in their works. They are used to expressing their anxiety and confusion in reality by books of childhood memory and growing experience. This is exactly the unique mental passageway between Su Tong and the reality and where his personality and style lie in.更多还原