【作者】 刘翔芝；

【导师】 张阿利；

【作者基本信息】 西北大学 ， 文艺学， 2007， 硕士

【摘要】 本文将着重论述20世纪80年代，由吴天明导演发起的、被西方电影人称为“中国电影新浪潮”的中国西部电影的形成及其在国际电影界的影响，展示以吴天明为代表的中国第四代导演，以张艺谋、陈凯歌为代表的中国第五代导演对中国西部电影发扬光大所作出的贡献，以及由贾樟柯、陆川、王全安为代表的新生代导演对中国西部电影在继承中的创新。通过梳理这些中国西部电影人在国际电影节中的获奖成绩，收集这些作品在国际电影市场份额的数据资料，分析中西方文化各自所持的不同价值观对中国西部电影在西方世界的跨文化传播所造成的差异和影响，并结合其他类型的电影分析，探寻中国西部电影在全球化语境下的未来发展方向。更多还原

【Abstract】 This article will focus on the period after 1980s, and talk about theformation of Chinese western film and its influence on the world, which was led by Wu Tiangming and called "the new wave of Chinese film" by western film reviewers. Also it will show the contributions which were made by the fourth generation and the fifth generation filmmakers, such as Wu Tianming, Zhang Yimou and Chen Kaige, etc, and the innovations made by Jia Zhangke, Lu Chuan and Wang Quan’an. At last, this article will analysis the different rewards which Chinese western films got in international film festivals ,collect the data of film market which they shared to find out effect on diffusion of Chinese film produced by different values between the east and the west, and summarize the developing direction of Chinese western film in globalization.更多还原