【作者】 韩雪静；

【导师】 彭晓玲；

【作者基本信息】 华中师范大学 ， 声乐艺术研究， 2007， 硕士

【摘要】 建国十七年里，在特定的历史文化语境中，关于声乐艺术的发展道路，音乐界产生了各种讨论，其实质是在中西音乐文化碰撞、融合的背景下，如何协调“土”“洋”唱法的关系，争论的结果推动和促进了中国声乐艺术的发展，创立了具有民族审美特色的演唱风格。论文选择“土”“洋”唱法之讨论与建国十七年声乐艺术的发展的内在联系、其历史意义和启示来作为研究对象，通过对“土洋”之争作历史回顾与分析工作，旨在为当今声乐艺术走可持续发展的道路提供经验与参考。全文由以下章节组成：绪论：对本论文的研究现状、研究意义进行阐述与说明。第一章：对二十世纪20-40年代中国声乐艺术发展进行概述。本章回顾美声唱法在中国的引进与播种，建国前“土”“洋”两种唱法的碰撞，探索“土”“洋”之争的缘起与萌芽。第二章：“土洋之争”与建国十七年声乐艺术发展轨迹。本章对“土”“洋”之争的学术争鸣——“唱法问题”讨论的概况进行历史回顾，分析在艺术实践中的“土”“洋”唱法关系的协调，呈现“土”“洋”之争与中国声乐艺术曲折与发展的历史轨道。第三章：建国十七年声乐教育的特色。中国声乐艺术的发展，在“土”“洋”唱法的争论中不断得到启示，探讨中国声乐教育，在“兼收并蓄”的教育思想指导下，有了开拓性的发展，声乐教育与艺术实践相互影响和促进，共同推动建国十七年声乐艺术向前发展。第四章：建国十七年具有民族特色演唱风格的创新之路。通过“土”“洋”唱法关系的讨论，艺术家们以发展中国民族声乐学派为审美指导思想，追求极具民族特色与个性的演唱风格，声乐艺术“百花齐放”的景象逐步形成。结论与展望：“土”“洋”之争对当代声乐艺术发展的启示。本章通过总结“土”“洋”之争的历史意义，论述当今声乐艺术发展的现状，全面思考与诠释其对声乐艺术发展启示与影响。结语：概括和总结全文，论述“土”“洋”之争在中国声乐艺术发展中的重要地位，并提出自己对当今声乐艺术发展前景的思考和看法。更多还原

【Abstract】 During 17 years after the foundation of the nation, in particular hostorical cuture context, The music world debated on the research work of vocal artistics. The result of those debate helped to improve and accelerate the development of Chinese vocal artistics and created singing style charactered with nation tastes. Now, the debate between the "National" and "Foreign" singing style and the revelation of the 17 years development of vocal artistics are selected as the research target to analyze the evolution of the relationship between the "National" and "Foreign", singing methods and styles, tastes, and their influence on the 17 years development of vocal artistics.The article is made up with the following chapters:Introdution: explanation of the significance of the topic, research status.Chapter 1: summarize on the development of 20th’s - 40th’s of 20th century.This chapter digs up the cause and origin of the "National" and "Foreign" debate by review the introdution and promulgate of Bel canto into China and by review the "National" and "Foreign" these two styles’s collision.Chapter 2: The debate on the "National" and "Foreign" and the development track of the vocal artistics after 17 years of the foundation of the nation. Review and analyze on the debate of the "National" and "Foreign" "singing styles questions", and harmonize the "National" and "Foreign" "singing styles in practice, and present the efforts and the achievements made by vocal artists on theroy and practice. The Chinese vocal artistics grew up circuitously.Chapter 3: The characteristics of vocal education during 17 years after the foundation of the nation.The Chinese vocal artistics continuously got revelations from the debate of the "National" and "Foreign" "singing styles. The Chinese vocal education was started with "hold these two concurrently" and was creatively developed.Chapter 4: The national styles innovation road during 17 years after the foundation of the nation. Artists found the tastes of the Chinese national vocal school, and enthusiasmly persuit the "national" and "diversified" singing styles. The vocal artistic was developed variously and vigorously.Conclusion and prospect: Annotate the influence on the following vocal artistic by analyze the debate on "National" and "Foreign" "singing styles.Epilogue: Conclusion was made by review the Chinese vocal artistic debate and significance of the "National" and "Foreign" "singing styles. Confirm its importance on the Chinese vocal artistic development and present my opinion on the current vocal artistic and development perspectively.更多还原