【作者】 汪海元；

【导师】 王耀华；

【作者基本信息】 福建师范大学 ， 音乐学， 2006， 硕士

【摘要】 二胡音乐创作自1915年以来已历经近百年，本文旨在通过对不同阶段代表性的二胡作品进行解析，总结出二胡音乐创作中的规律性艺术特征，并结合社会历史的发展，从学理层面将近百年的二胡音乐创作划分为“三个时期”，即：第一时期——初创时期(1915—1949)，第二时期——发展时期(1950—1979)，第三时期——繁荣时期(1980—2000)。并进一步将其概括为“两种特性”，即1980年以前的“写实性”、1980年以后的“写意性”。 三个时期的二胡音乐创作各具特征：初创时期的单一性，表现在忧伤性现实题材，小型独奏曲体裁，单一的调性布局，简约的中西兼容技法等方面；发展时期的二元性，表现在歌颂性现实题材、强烈的地域性风格、中小型独奏曲并存等方面；繁荣时期的多元性，表现在广泛的题材、多样的体裁、创作技法的多元并存等方面。 三个时期的二胡音乐创作虽各具阶段性特征，但其中又有着内在的承接性，充分地展示了20世纪二胡音乐创作从萌芽、发生、发展到繁荣的嬗变过程。这个过程不仅仅是艺术自身的一种发展，并且很大程度上受到当时的社会生态环境、文化生态环境等多种客观因素的制约和影响。更多还原

【Abstract】 Erhu music composition has gone through about 100 years since 1915. Present study attempts to summarize its artistic features by analyzing the representative works in different periods. The author, from a doctrinal perspective in view of social development, divides the history of Erhu music composition into three stages: 1) the initial stage (1915-1949); 2) the productive stage (1950-1979); 3) the prosperous stage (1980-2000). He further sums up two styles: realistic (before 1980) and impressionistic (after 1980).Erhu music composition in different stages embodies different features: the initial stage is characterized by its simpleness with melancholy as its subject matter, minitype solo style, single mode arrangement and simple techniques; the second stage is featured by its duality with odes as its theme, strong regional style and small and medium-size solo, etc; the third stage is mult-facct in terms of its broad subject matters, varied styles and creative techniques, etc.Despite distinctive features of Erhu music composition manifested in different stages, there is a continuum of Erhu music composition in the 20th century from the embryonic state, initial stage to the productive and prosperous stage. Such a process not only shows the progress of an art itself, but also mirrors such objective factors as socio-cultural environments which may limit and influence the development of it.更多还原