词调的本体论与创作论意义初探

【作者】 张文胜；

【导师】 钟振振；

【作者基本信息】 南京师范大学 ， 中国古代文学， 2006， 硕士

【摘要】 本论文阐述了词体文学发展演变过程；着重探讨了词与音乐的配合关系及由此形成的词文学的本体特征；以《浣溪沙》、《贺新郎》为例对具体词调的文学特性进行了分体研究，结合唐宋阶段的具体词作，探求词调各自的独特体式、总结创作经验。从而揭橥词调对于词文学的本体论及创作论意义。 本论文的研究角度和方法均较为新颖。以词与音乐的关系为经，以词牌分体研究为纬，以较为广阔的视野和细致科学的分析得出了一些创新的结论和不尽同于前辈学人的见解，如弦、管乐精神对音乐文学演变的影响、宫调的性质及其在词中的作用、字音和旋律的具体配合规律、小令转韵与慢词犯调问题的解释、对具体词调体式特征的归纳、及对创作方法的体悟等等。更多还原

【Abstract】 This thesis has explained the development or Ci; Have discussed the inbeing characteristics of Ci which toned by the relationship between Ci literature and Yan-Yue musical system emphatically; Took " Huan-Xi-Sha" , " He-Xin-Lang " as examples, divided the concrete literature characteristic of them into research, combined the concrete opuses of Ci in the Tang and Song Dynasty, sought the unique styles of Ci-Diao , summarized the writing experience. Reveal the significance of Ci-Diao for theorising the inbeing characteristics and writing method of Ci literature.Research angle and method of this thesis are comparatively creationary. With the relationship between Ci and music as longitude, and the research of unique Ci-Diao as latitude, With the open field of vision and careful scientific analysis, this thesis draw some innovation of conclusions which is differ from the opinion of the elderly scholar, such as the spirit of the string and wind music which influenced the development of musical literature, the properties of the modes of ancient Chinese music and the function in the opuses of Ci, the concrete cooperation rules of tones of words and melodies, the explanation to the rhyme change of Xiao—Ling and the inflexion of Man-Ci, the conclusion of the characteristic of unique Ci-Diao, and the realization of writing method.更多还原