从本雅明到伊格尔顿

【作者】 赵传敏；

【导师】 张政文；

【作者基本信息】 黑龙江大学 ， 比较文学与世界文学， 2006， 硕士

【摘要】 本文以马克思主义艺术生产理论为主线，采用系统分析的方法研究了从本雅明到伊格尔顿的几位马克思主义者对艺术生产理论的继承和发展。论文开始概述了马克思主义艺术生产理论的内涵和形成过程，并以《〈政治经济学批判〉导言》为界线，阐释了艺术生产理论这一重要理论范畴随着马克思早、中、晚三个时期思想发展而不断确立、成形过程并见证马克思的思想从哲学为本位转变到社会学和经济学为中心的发展历程。 本文主体部分论述了马克思主义者，特别是本雅明、马谢雷和伊格尔顿对这一宏大思想体系的继承和发展。以及异化时代生产对象、生产关系和人的异化给艺术生产带来的深刻影响和艺术生产理论实践对文化危机和贬值所承担的不可推卸的责任。 本文认为艺术生产理论的出现产生了双重效应，既加深了人们对于作品与作家生产之间的关系的认识，又加速了机械复制时代艺术作品价值的降低。 文章从历史中反思现实，分析了当今艺术生产理论与文化危机之间密不可分的关系。更多还原

【Abstract】 The paper analyses several Marxists’ (esp. Walt Benjamin and Eagleton’s ) continuity and development of the theory--- Production of Art put forward by Marx firstly seen in 1844 Manuscript of Economics and Philosophy. In the first part of the paper, it deals with the two periods of the early formation of the theory---Production of Art marked by Introduction to Criticism on Politics and Economics and its witness to the development of Marx’s thought of early, middle and late period developing from philosophy-oriented to sociology-oriented and economics-oriented.In the rest of the paper, the author mainly analysis the continuity and development of the theory---Production of Art and the influence on its from the alienation of productive object, productive relation and human being in such a alienation era as well as the unshirkable responsibility of the theoretical practice in Production of art resulting to the crisis and devalue of culture.The paper holds on the idea that the appearance of the theory ---Production of Art let to double effects: it deepened the mass understandings of works-and-author relationship as well as accelerated the artistic works devalue in the era of automatic reproduction.更多还原