【作者】 赵惠；

【导师】 哈森；

【作者基本信息】 内蒙古师范大学 ， 汉语言文字学， 2006， 硕士

【摘要】 现代汉语形容词生动形式是指通过重叠、加缀等构词方式或几种方式的综合运用使形容词具有显著描绘性的生动化形式。在汉语研究史上,现代汉语形容词生动形式这一说法形成较晚,但其重要形式——重叠却出现较早,研究历史比较长,成果也比较多,备受学者们重视。虽然,对现代汉语形容词生动形式中重叠式这一内容的研究,前辈和时贤思想活跃,成果不凡,但对加缀、复合等方式研究极少,还不够系统,有待于进一步挖掘。目前,现代汉语形容词生动形式研究中还存在着界定模糊、范围和名称不统一、形式归属不一致、研究力度不均衡等一些需要深入探讨的问题。本论文立足于汉语事实,试图在学习和借鉴前辈时贤研究成果的基础上,有意识地挖掘现代汉语形容词生动形式的独到之处,并对其进行分析,力求从多角度深入、细致地探讨有关现代汉语形容词生动形式的问题。在研究过程中,本文首先引用了哈森先生关于现代汉语形容词生动形式的明确定义。之后对现代汉语形容词生动形式的外部表现形式进行了进一步探究,力求对它做出较为全面、详细的描述,揭示现代汉语形容词生动形式在外部表现形式中的某些规律。其次,从内部结构方式入手,对现代汉语形容词生动形式进行了深入细致的分类。而后,着重考察了现代汉语形容词生动形式的句法功能。最后从语句的音乐美、感情色彩的浓重性、修辞意义的明确性、语句的口语色彩、语义的模糊性五个方面入手总结了现代汉语形容词生动形式的修辞功能。本文是在借鉴前辈学者的研究成果的基础上写成的,感谢诸位先贤时哲提供的研究材料和成果。更多还原

【Abstract】 The vivid adjective form of modern Chinese makes adjectives have apparently descriptive patterns by using overlapping, adding affixes and the combination of several patterns. It came into being quite late in Chinese research history. However, its most important pattern, overlapping, appeared earlier. It has a long history and a lot of research achievements. Therefore, scholars have attached too much importance to overlapping and do quite lots of researches on it. However, they have touched a little on affixes and other composite patterns. We don’t have a systematic knowledge of them and will further study at them in the future. There are many problems in the research of the vivid adjective form of modern Chinese to be further discussed. For example, it is not clearly defined; the attribution of the patterns is not in accordance with their forms; the emphases of researches are not balanced, and so on. This thesis aims to exploring some special points in it and analyzing some problems from various angles, on the basis of facts of the Chinese and research achievements of predecessors.In the research course, the writer first uses the definition from Mrs. Hazon as introduction. After that the writer does some researches on its external forms with a more complete and detailed description in order to reveal some rules of them. Next, the writer classifies it by its internal forms of construction. The following, the writer inspects its syntax functions. At last, the writer concludes its rhetoric functions from five aspects: the musical appreciation of sentences, the thickness of emotional sentences, the clarity of rhetoric meanings, the colloquial emotion of sentences and the vagueness of semantic meanings.更多还原