吴地舞蹈文化源流研究

【作者】 许恩；

【导师】 茅慧；

【作者基本信息】 中国艺术研究院 ， 舞蹈学， 2006， 硕士

【摘要】 吴地是我国长江下游的一块文化区域,因历史上曾经建立过的吴国、吴郡而得名,也是今日江南的核心区域。吴地舞蹈有着丰富的历史资源和鲜明的地域文化特征。本文采用历史学的研究方法,对吴地区域范围内发生的舞蹈活动进行历史线索的梳理,阐述吴地舞蹈文化发生、发展、流变的基本过程,总结其独特地域性的内在成因和历史文化积淀。 本文包括引言、三个章节和余论部分。引言主要阐明本文的研究范围、与本文相关的研究成果以及本文的研究方法和目的。第一章论述吴地舞蹈从史前时期经春秋吴国至汉代多地域文化因素合一的源头形成过程;第二章论述吴地舞蹈在六朝、隋唐时期发展壮大,形成的独有地域性艺术风范,及融入中国传统舞蹈文化整体的过程;第三章论述吴地舞蹈在宋元明清时期,戏曲化的流变过程;余论中对吴地舞蹈历史发展的总体特征及其与中国古代传统舞蹈整体的分合轨迹,并对当代江南舞蹈舞台艺术创作的状况、特征及其在民间的生存状况进行了归纳总结。更多还原

【Abstract】 District Wu is a culture area located in catchments of the ChangJiang River China. The name Wu is originated from the Country Wu and County Wu in the history sthat had been established in this area. District Wu is the core area of the South-ChangJiang River. Wu-dancing has the abundant history resource and the bright regional culture characteristics. With the history research method, this thesis coordinates the dancing actions happened in the district Wu, describes the process include origin, development and the change of the Wu-dancing culture, and summarize the uniquely, regionally and internal cause of formation.This thesis includes an introduction, three chapters and a conclusion. The introduction mainly explains the aim, the methods, the research range and the relating works regarding this thesis. The Chapter One describes the formation process of the Wu-dancing, include the origin in primordial world and the multi-culture combination from the Spring-Autumn period to the Han Empire. The Chapter Two describes the evolution process of the Wu-dancing, include the development from the Six period to the Shui, Tang Empire and how to form the unique art style and combine into the Chinese traditional dancing. The Chapter Three describes the essential change in the Song, Yuan, Ming and Qing Empire. The Conclusion summarize the separation and combination track between Wu-dancing and the Chinese dancing history, and the invention of the Wu-dancing of the time.更多还原