【作者】 谢莹；

【导师】 陈传夫；

【作者基本信息】 武汉大学 ， 图书馆学， 2004， 硕士

【摘要】 音乐是人类共同的财富。人们在欣赏、使用音乐的同时，需要给音乐作品的创作者和录音制品的制作发行者一定的补偿，以激励更多更好的新作品的产生，从而繁荣文化，促进社会的发展，这是给予创造者版权保护的最终目的。数字网络技术的发展带给了使用者方便快捷，从根本上改变了音乐作品的利用方式，从另一个角度说，是损害了音乐作品的版权所有人包括创作者、表演者和唱片公司的利益。目前音乐工业面临着重重危机，音乐版权保护体系也存在着一系列问题。 本文以版权法学理论和数字网络技术为基础，结合世界各国音乐版权方面的案例，针对音乐版权的特殊性与复杂性，系统分析了音乐版权法律体系与授权机制存在的问题，在对比分析国内外有关音乐版权保护立法现状的基础上，对音乐版权法律体系和授权机制等方面的调整提出了建议。 全文分为五个部分。 1．音乐版权的内容及其历史复杂性。总结音乐版权保护的主体、客体，各项权利的内容，并以美国立法为例剖析音乐版权的历史复杂性。 2．数字时代音乐版权的新问题。论述随着数字技术利网络的发展与普及，音乐版权诉讼不断，音乐版权保护难以应对新技术和应用的层出不穷，版权支付成本过高，新的合理的版税标准尚未建立，各国法律不一，版权规则不明确等方面的问题。 3．音乐版权问题的法律分析。从数字技术影响现行音乐版权所有人权利的因素、数字技术引发的版权责任、数字技术对版权制度原则及架构的影响三个层面就作品创作、复制权、发行权、向公众传播权、精神权利、个人用户责任、网络服务提供商责任、利益平衡、权利重叠、授权机制等问题进行了法律分析。 4．各国的立法及实践。针对前一章分析的问题，对比分析了美国白皮书、《数字千年版权法》、世界知识产权组织《版权条约》和《表演和录音制品条约》、欧盟“版权指令”、澳大利亚版权法、英国版权法、我国著作权法等法律和国际条约的立场以及司法实践。 5．解决现有音乐版权保护体系存在的问题的建议。针对以上问题，提出明确法律修订的目标、权利的单一化、建立数字版权集体管理机制、搭建音乐产品公共平台等建议，调整现有版权保护体系。更多还原

【Abstract】 The music is the common wealth of the mankind. While appreciating or using music,users need to give the authors of musical works and the creators or publisher of the sound recordings certain compensation, in order to encourage more good new works and then promote progress in culture and society. This is the ultimate goal of copyright protection. The development of digital technology and network has brought more convenient to users,and fundamentally changed the ways of using musical works.From another point of view , it is damaging interests of the copyright owners including the authors,performers and recording companies. Music industry is in crisis now and the copyright protection system of musical works has a series of problems.Based on the copyright law theories and information technology, viewed according to the characters and complexity of music copyright, the article analyze problems in music copyright legal system and the licensing mechanism by combining the cases related to the music copyright all over the world. On the basis of comparing with some countries’music copyright protection legislation and some international treaties’ position, the author provide some advices in adjustment of the music copyright legal system and the licensing mechanism.This paper includes five parts:1. The content of the music copyright and historical complexity of it. Summarize the subject, object of music copyright protection, the content of every right, and take legislating in U.S.A. as the example to analyze the historical complexity of music copyright.2. New problem of music copyright in digital age. Expound the fact that with the development of digital technology and network, the copyright lawsuit related to music copyright is constant, music copyright protection difficult for responding to new technology and use, the transaction costs are too high in the music industry, the new rational royalty standard has not been set up yet, the laws of various countries differ, the rules of copyright law is indeterminate, etc.3. Legal analysis of the problem of music copyright. Analyze form three aspects that the factor influencing the rights of music copyright owners by digital technology, copyright infringment responsibility that digital technology causes , and influence on the copyright law principle on the right of reproducing, publishing, distributing to the public, protection of spirit, users’ responsibility, network service providers’ responsibility , interests balance, right overlap , licensing mechanism ,etc.4. Legislation and practising of various countries. According to the problems that the last chapter analysed, analyze laws and international treaties such as the AmericanWhite Paper, Digital Millennium Copyright Act, WCT,WPPT, EU Copyright Directive, U.K.Copyright Law, Australia Copyright Law, Copyright Law of the People’s Republic of China.5. Suggestion of solving the problems in music. copyright protection system.According to the above problems, the author suggst that identify the goals , simplify the rights granded to the copyright owners, set up digital copyright collective licensing mechanism , set up music products platform ,etc.to adjust the existing music copyright protection system.更多还原