【作者】 姜晓芳；

【导师】 松波尔；

【作者基本信息】 内蒙古师范大学 ， 音乐学， 2004， 硕士

【摘要】 二人台是在内蒙古西部以及山西河曲、陕西榆林等部分地区极为流行的一种具有深厚民间文化基因的地方小戏。二人台的音乐来源于爬山调、码头调、蒙古族民歌，以及外来民歌(主要是山陕民歌)，是蒙汉人民集体智慧的结晶，也是内蒙古经济、文化、艺术繁荣发展的必然产物。它经过无数民间老艺人的加工创造和蒙汉劳动人民的共同努力，由“坐腔形式”发展成现在这样一个比较完美的艺术形式和独特风格的地方剧种。内蒙古的二人台音乐分为东西两路，东路二人台主要流传于乌盟东部的大部分旗县以及与锡盟接壤的山西、河北的部分地区；西路二人台则在呼和浩特、包头、巴盟、伊盟，以及山西、陕西部分地区普遍流行。本文仅是对内蒙古西路二人台(为简洁起见此后出现的内蒙古西路二人台均简称为二人台)进行的专题研究。全文内容分为两个大部分：第一大部分是对内蒙古西路二人台音乐的概述，包括五个方面内容，一是二人台的产生与发展；二是二人台剧本的语言特点；三是二人台唱腔的旋律形态；四是二人台与其他民间音乐的关系；五是二人台的改革与振兴。第二大部分是二人台音乐文化内涵初探，将二人台提升到一定的文化视角，采用人类学即民族音乐学的方法，把二人台的兴衰作为一种文化现象来认识它的活动和经历。这一部分包括三方面的内容，一是二人台产生的背景；二是二人台艺人的演唱目的；三是二人台音乐在社会生活中的作用。 内蒙古西路二人台虽然只有一百多年的历史，但是它在蒙汉人民文化生活中却占有十分重要的地位。因此，在研究过程中，始终贯穿着一条主线即蒙汉民族文化的相互交融，力求做到客观、全面而系统的研究二人台音乐以及它的文化内涵。附录:采访报告、西路二人台分布区域、图片资料更多还原

【Abstract】 A popular Nei Monggol song-and-dance duet is a little local play which deeply rooted in folk culture. It is very popular in the west of Inner Mongolia, Hequ of Shanxi province, Yulin of shanxi province. A popular Nei Monggol song-and-dance duet originate from Pashan tone, Pier songs, Mongolia folk songs and exotic folk songs(It’ s mainly from shanxi province and shanxi province). It’ s a creation of Mongolia and Han. With the development of Inner Mongolia’ s economy, culture and art, it is a inevitable results. After many old folk musicians creation and Mongolia and Han’ s hard working, it has developed from a play which people just sit around to sing into a excellent art and special style local play. A popular Nei Monggol song-and-dance duet is divided into two groups: west and east. The east group is mainly popular in the east counties of Wumeng and some district of shanxi province and HeBei province which is adjacent to Ximeng of Inner Mongolia. The west group is mainly popular in Huhhot, BaoTou, Bameng, Yimeng, the west parts of Wumeng and some districts of shanxi province and shanxi province. This paper only discusses the west group. There are two parts in this paper. The first part discusses the music of west popular Nei Monggol song-and-dance duet of Inner Mongolia globally, which is composed of five sections. The first is emergence and development; The second is character of language; Thethird is rhythm of singing; The fourth is the relationship with other folk music; The fifth is that it’s reform and prosperity. This paper try to discuss it’s music culture connotation and advance it to a culture angle. I adopt anthropology method to study it ’ s prosperity and adversity as a culture phenomenon(national music).There are three sections in this part. The first is the background of it’ s emergence; The second is musician’ s purpose of their performance; The third is it’ s social influence.Though the popular Nei Monggol song-and-dance duet has only one hundred years history, it’s status is important in local people’s culture life. So during the studying, the Mongolia blend perfectly with the Han is the key line consistently. This paper try to study it’ s music culture connotation objectively, comprehensively and systemically.Appendix: Including interview report and some photo materials.更多还原