福建南音泉州派、厦门派“曲”之比较研究

【作者】 张盈盈；

【导师】 王耀华；

【作者基本信息】 福建师范大学 ， 音乐学， 2004， 硕士

【摘要】 泉州派和厦门派是福建南音的两个主要流派。“曲”是南音音乐内容的重要组成部分。本文主要对南音两个流派在“曲”音乐形态多方面的差异表现进行全面、细致的比较分析，进一步探讨南音艺术的表现手法和艺术规律，并试图从历史、地理、方言、民俗、戏曲、审美等多角度探究两个流派音乐风格差异的形成原因，说明地域文化对音乐流派形成发展的重要影响。 全文共分三章。第一章概括叙述泉州、厦门南音的发展状况及两个流派的确立和形成；第二章具体比较分析两个流派南音“曲”的工尺谱在谱字、指法、撩拍、滚门、曲牌、管门等音乐要素的差异，并探讨工尺谱差异形成的原因。第三章从南音“曲”的叫字、咬字吐音、润腔等方面，进一步比较分析两个流派在音乐表现手法上的差异，探讨影响差异的各方面因素。更多还原

【Abstract】 Quanzhou Genre and Xiamen Genre are the main genres of Fujian Nanyin music . The most important part of Nanyin is "Qu". This essay tries to make an overall and vivid illustration of the different melodies between the two genres, and take further discussion about the techniques and art rules. It also aims to discuss the origin of the various differences, analyze how local culture has great influence on the development of different genres by ways of history, geography, dialect, customs, traditional opera, aestheticism, etc.The essay consists of three chapters. The first chapter summarizes the development and establishment of Quanzhou Genre and Xiamen Genre. The second chapter analyzes the development of GongChiPu (music score) by comparison of "GunMen" , "QuPai" , "LiaoPai" (metre), "PuZi" and "ZhiFa" . The last chapter goes further study about their distinctive features and their origins, analyzing by ways of "JiaoZi" (music for voices), pronunciation and "RunQiang" (polishing the aria).更多还原