【作者】 靳凤华；

【导师】 林之耀； 李豫闽；

【作者基本信息】 福建师范大学 ， 美术学， 2004， 硕士

【摘要】 本文旨在从中西绘画的两个方面——抽象性和表现性的角度，阐述绘画的抽象性和表现性的特征以及本质。 文章首先从齐白石的著名画论“妙在似与不似之间”的提出写起，论述了绘画的抽象性和具象性的特定含义；中国绘画的抽象性形态；西方绘画的抽象性形态；并对中西绘画抽象性形态作了一个简单的比较，从而论证了绘画抽象性的特征以及本质。第二部分，论述了绘画表现性的特定含义，表现性与表现主义的区别；中国绘画的表现性形态；西方绘画的表现性语言；中西绘画表现性的异同，论证了绘画表现性的特征以及本质。 本文的侧重点是中西绘画的抽缘性形态和表现性形态，详细论述了中西绘画的两种形态的表现特征，通过对比与联系两种绘画的两种形态，得出本文的论点：绘画抽象性和表现性的本质及特征。更多还原

【Abstract】 This thesis aims at discussing the characteristic and essence of the painting’s abstract and expression at the angle of the common characters, namely, abstract and expression shared by the Chinese and the Western paintings.The thesis begins with the well-known opinion of Qi Baishi, a famous modern Chinese painter, "It is wonderful between similarity and dissimilarity." and then it relates the conception of the painting’s abstract and the expression and the abstract forms of the Chinese and the Western paintings. Meanwhile it-makes a simple comparison between the both sides and leads to the discussion of the characteristic and the essence of the painting’ s abstract.The second section of the thesis interprets the specific meaning of the painting’s expression, the distinction between expression and expressionism, the expression form of the Chinese painting and the expression language of the western painting, and proves the characteristic and essence of the painting’s expression through the similarity and dissimilarity of expression of the both sides.The thesis also attaches emphasis to the section of the abstract and the expression form of the two sides, and relates the two kinds of forms of the expression characteristic in details, thus, is comes to a conclusion on the characteristic and essence of the painting’s abstract and expression by comparing and connecting the two forms.更多还原