【作者】 陈缨；

【导师】 戴雄；

【作者基本信息】 西南师范大学 ， 音乐学， 2004， 硕士

【摘要】 作为音乐戏剧的歌剧，音乐性因素和戏剧性因素是两个重要的因素，重唱是歌剧中最能体现这两个因素的声乐形式，在声乐史上，重唱也是衡量喜歌剧成就的试金石。莫扎特在写作喜歌剧《费加罗的婚礼》时，把握住了重唱的戏剧力量，以重唱这种声乐形式来创造了喜歌剧风格中潜能价值的全面实现。本文对莫扎特的喜歌剧《费加罗的婚礼》中重唱的研究，立足于作品的本体分析，考察音乐作品的艺术风格语言、审美特征，进而论述重唱在歌剧中的戏剧功能，及如何通过重唱来塑造人物形象，力求做一种具有综合性质的音乐学分析。更多还原

【Abstract】 Opera, the drama of music, has tow important elements: the musical element and dramatic element. Duet is a form of vocal music that can embody the two elements best. In the history of vocal music, duet is the touchstone for valuing a opera buffa. In Mozart’s "THE MARRIAGE OF FIGARO", he grasped the dramatic power of duet and realized the latent value of the opera buffa style by the vocal musical form of duet.This article tries to study the duet of Mozart’s opera buffa "THE MARRIAGE OF FIGARO" By standing on noumenal analyzing of the opera, investigate the artistical style and language and aesthetic features, and then discuss the dramatic function of duet in opera, and how to create images by duet. This article tries to do a musicological analysis in comprehensive angels.更多还原