论戴厚英小说《脑裂》的语言张力

【作者】 杨增宏；

【导师】 袁晖；

【作者基本信息】 安徽大学 ， 汉语言文字学， 2004， 硕士

【摘要】 小说《脑裂》是当代作家戴厚英后期小说语言风格转变的标志性作品。本文借用美英新批评派的文学“张力”理论，通过“对话"的张力、“狂欢”的张力、“情感”的张力和“简练”的张力来阐释《脑裂》的语言张力。 第一章“对话”的张力和第二章“狂欢”的张力是借用前苏联语言学家巴赫金的对话理论和狂欢理论，分别从“对话”语言的异质性和“狂欢”语言的双重性来剖析语言张力，具体表现为语言的俗化和雅化、幽默与庄重、写实与荒诞的“对话”及语言的反讽、调侃、俚俗的“狂欢”。从抑制情感的表层语意与内心感情的相反相逆、复杂情感结构的多层次高密度和对立情感的差异和谐三个方面，论述第三章“情感”的张力。在第四章中，借鉴简练的语言风格，从奇异化、陌生化、隐喻化所造成的语言“空白”，再次印证了“简练”的张力。 上述四章的论述表现为多层次，宽视角，互为支持，相互融合，从语言审美的角度高度概括了小说《脑裂》的语言张力。更多还原

【Abstract】 The novel Nao lie is the symbol which shows the language style change in the later stage creation of Dai Hoying-the contemporary writer. This thesis interpreted the language tension in Nao Lie through analyzing the tension of interlocution, carnival, affection and conciseness.In chapter 1, the author used the interlocution theory of Soviet linguist to analysis the language tension. In chapter 2 the author used the carnival theory of Soviet linguist to take apart the language tension from the heterogeneousness of interlocution language and the dualism of carnival language, which actually displayed the popularization and elegance as well as the humor and solemn of the language, the reality and absurdity of the interlocution together with the language irony, ridiculousness and the carnival of vulgarism. In Chapter 3, the author discussed the affection tension through analyzing the contrary and opposition of the literal meaning to that of the expression of people’s inner affection, the multi-level and high density of the complex affection structure together with the difference and harmoniousness of conflicting affection. In Chapter 4, the author used the theory of the conciseness of language style to prove the tension of conciseness based on the language gaps caused by the fancy, strangeness and metaphor.The exposition of the above four chapters is multi-level, wide visual, mutual-supported and inter-mixed. The author generalized the language tension in Nao Lie from the viewpoint of appreciation of language beauty.更多还原