【作者】 田亚茹；

【导师】 朱东生；

【作者基本信息】 西北师范大学 ， 音乐学， 2004， 硕士

【摘要】 中国歌剧自20世纪20年代在中国诞生以来，成为中国文艺舞台上众多艺术表演形式中的一元。在它发展了80多年的创作道路中，也形成了自己独特的艺术风格，即它不仅具有歌剧的特征，更重要的是它吸收了许许多多中华民族艺术的精华，成就了具有中国特色的歌剧艺术。所以研究中国歌剧，对于“民族化”的研究是很有必要的。 本论题的研究主要是通过对部分作品的唱腔和演唱两方面民族化的研究进行整理和分析，所以作品本身、创作者和演唱者的个人体会的资料、相关的音乐评论是主要的研究对象。西洋歌剧、戏曲、民族声乐作为写作的理论依据，也是研究中重要的组成部分。 本文力图把中国歌剧放在历史的长河中进行回顾与反思，总结其经验和教益。同时，对部分中国歌剧进行梳理、分析、总结，归纳出中国歌剧在民族化道路上采用的技巧、方法，这些经验对以后我国歌剧创作和演唱具有一定的借鉴作用。更多还原

【Abstract】 Chinese opera has become a very important form of art performance on the stage of literature and art since it was born in early 20th century in china. Opera is a comprehensive stagecraft. As an imported goods, the artistic style of Chinese opera has taking shape nearly through a century ’s development.It is not only characterized by opera,but also combined with the quintessence of Chinese art.Thus the research of Chinese opera is primary and necessary for the studies of "nationalization".This issue mainly emphasizes the analysis and arrangement of nationalization studies on operatic vocal music in creation and performance of some music works. Therefore, the music works itself, the composer,the materials of personal experience of singers, and relevant music criticism are the main objects to be studied. As theoretical basis, the studies of opera, trad opera and national vocal music are indispensable components in this research.From the macroscopic view of history and microcosmic view of musicology,based on the sequence of the production of music works, combined with the historical backgrounds and other relevant historical components, this paper analyzes the nationalization practice on creation and performance of operatic vocal music in the course of development of opera from the microcosmic view of musicology. Through these studies, this paper tries to put Chinese opera into the long historical flux and to review,rethink and generalize the experiences and advantages. In microcosmic aspect, this paper devotes to abstract the techniques and methods of nationalization of Chinese opera through arranging, analyzing,generalizing and inducing some Chinese opera.All of these experiences are worthy of using for reference to the creation and performance of our Chinese opera.更多还原