【作者】 韩莉；

【导师】 唐瑰卿；

【作者基本信息】 河南大学 ， 音乐学， 2004， 硕士

【摘要】 “美声唱法”、“民族唱法”、“通俗唱法”是20世纪80年代以来我国音乐界为了统一声乐比赛时的评判标准而采用的一种演唱分类方法，简称“三种唱法”。“三种唱法”是一种客观存在的文化现象，它是我国改革开放以来顺应社会发展而产生的新生事物，它的出现和发展具有某种不以人的意志为转移的历史必然性。同时，这一文化现象的产生也是由其内在和外在的多重因素综合而形成的。其中，社会政治经济关系的变革、欣赏习惯、审美文化差异、大众的社会心理等是促成“三种唱法”这一文化现象形成的重要因素。 本文以“三种唱法”为主要研究对象，从文化学的角度出发，阐明了“三种唱法”这一分类方法形成的历史背景；深入分析了“三种唱法”各要素与“三种唱法”这一分类方法之间的关系；指出“三种唱法”争论的焦点和实质。 文章正文共分四个部分 第一部分 我国近现代史上关于唱法的争论 本章从建国前、建国以后到“文革”时期、改革开放时期三个历史时期入手，对各个时期声乐界存在的唱法类型做概括的描述。 第二部分 “三种唱法”要素的文化分析 本章以“三种唱法”的各要素为切入点，从社会政治经济关系的变革、音乐欣赏习惯和审美文化差异、大众的社会心理等三个方面入手，对“三种唱法”进行文化分析，论证了“三种唱法”各要素对“三种唱法”这一分类方法形成的影响。 第三部分 关于“三种唱法”提法的争论 本章对“三种唱法”所引发的社会争论进行了深刻的分析，指出了争论的焦点和争论的实质。 第四部分 对“三种唱法”的客观评价 本章综合前三章的论述，对“三种唱法”这一分类方法进行比较客观的评价。 “三种唱法”是一种文化现象，对这一现象作深刻的研究，必将有助于我国声乐事业的发展，为未来我国声乐事业的发展提供有益的参考。更多还原

【Abstract】 "Bel Canto", "national singing" and "pop singing", "three ways of singing" for short, these three ways of singing are adopted since 1980s so as to unify the evaluation standard in vocal singing match in our music field. "Three ways of singing" is a kind of cultural phenomenon existing objectively, which is the accordingly newly born product along with the development of society since the opening policy. Its appearance and development own a certain kind of historical necessity beyond human wills. Simultaneously the appearance of this cultural phenomenon is determined by both the internal and the external factors, among which the evolution of social politics and economics, the habit of appreciating music, the difference of aesthetic culture and the social psychology of the common, and so on, are key factors in promoting such a cultural phenomenon.This thesis sees as the study object "three ways of singing", taking the culturology as the starting-point, illustrates the historical background of this classification of "three ways of singing" and summarizes its contending focus and the nature.This thesis consists of four parts.The first part is the contention of singing in different periods of our contemporary and modern history. Starting with three historical periods: before, and after the establishment of the country, and since the opening policy, this part describes the types of singings existing in each period.The second part is the cultural analysis of the factprs of "three ways of singing". This part, beginning with each factor of "three ways of singing", has a cultural analysis of "three ways of singing" from the evolution of social politics and economics, the habit of appreciating music, the difference of aesthetic culture and the social psychology of the common, proving the influence of such factors to the classification of "three ways of singing".The third part is the contention in society. This part has a thorough study of thecontention in society caused by "three ways of singing tending to uncover the focus and the nature of this contention.The fourth part is the objective evaluation of "three ways of singing". This part has a comparatively objective evaluation of such a classification on the basis of the summary of the first three parts. "Three ways of singing" is a kind of cultural phenomenon. A thorough study of this phenomenon is helpful to the development of the vocal singing field, and offers some beneficial references to it as well.更多还原