【作者】 刘海潮；

【导师】 张永杰；

【作者基本信息】 河南大学 ， 音乐学， 2004， 硕士

【摘要】 演唱风格个性化一直是声乐界关注的话题，对这一课题的研究前人做了大量的工作。但针对于某个歌唱家，尤其是至今仍活跃在歌坛上的老一辈歌唱家演唱风格的研究极少。笔者尝试着对当今仍活跃在歌坛上的老一辈歌唱家的演唱风格进行探索，试图为演唱风格个性化的研究尽微薄之力。本文仅从李双江的艺术成长道路对其个性演唱风格的影响这一角度进行研究。拟以音响资料为基础，通过考察李双江目前的艺术活动，并参考笔者与其本人的直接沟通所获取的信息，对他迄今为止所走过的声乐艺术道路和演唱风格的个性特征这两方面进行研究。结合二者间的必然联系和客观规律，对其艺术成长道路进行梳理，并对其演唱风格中表现突出的三大方面，即：唱法上中西合璧、声音独特的表现力和军旅情感的再现进行分析。 正文共分为两部分： 第一部分：“李双江的艺术道路”。主要分为“初涉艺术的艰辛”和“拼搏的艺术历程”两部分。1、“初涉艺术艰辛”主要介绍李双江从上小学到考入中央音乐学院这段时期的艺术事迹。2、“拼搏的艺术历程”主要对李双江学习和探索声乐艺术的经历，以及他在部队生活和前线慰问演出中的艺术事迹进行梳理。 第二部分：“李双江的演唱风格”。主要对李双江演唱风格中表现突出的三个方面进行分析和研究。1、“唱法上中西合璧”主要结合二十世纪五六十年代的时代背景，分析了李双江歌唱中对民族和美声两种唱法的运用。2、“声音独特的表现力”主要对李双江的高音和中低音的特色进行分析。3、“军旅情感的再现”分析了李双江的歌唱情感以及军旅情感在其演唱中的表现。 本文的结论是：李双江独特的艺术成长道路在一定程度上影响着其演唱风格个性化的形成和发展。首先，李双江“唱法上中西结合”的特色演唱风格的形成与其声乐学习和探索的经历有着密切的关系；其次，李双江极富个性的声音表现力与其在歌唱技法上的掌握和努力练习歌唱是分不开的;最后，李双江在演唱军旅歌曲时军旅情感的真情再现与他对军旅生活的真情体验和对歌唱技巧的娴熟把握有不可分割的联系。 本文使我们学习到老一代歌唱家—李双江的成功经验和他为歌唱艺术拼搏进取的精神;使我们领悟到在现实声乐艺术的教育和学习中，要根据自己的艺术成长经历和歌唱技巧的把握去体现自己的演唱风格。本文的研究对于中国唱法的发展和演唱风格的创新有一定的借鉴意义。更多还原

【Abstract】 The individualization of singing style has always been a hot topic in the vocal music circles, A lot of studies have been made on this question. However, as for a certain singer, especially those singers of the older generation the studies related are very few.The author tries to investigate their singing style and make a little contribution to the study on the individulization of singing style. This thesis only makes a study on the influence of Li Shuang Jiang’s growing road of art on his individulization singing style. On the basis of acoustics resources and the information that the author has acquired by his direct communication with Li Shuang Jiang, this thesis makes a study from two aspects: the road of vocal music art that li has gone through and his indivual character of singing style. Combining with the necessary relation and objective law between the two sides, the thesis formulates Li’s growing road of art and analyzes the three outstanding aspects of his singing style: a combination of Chinese and Western singing techniques,the unique expressive ability of his voice and the reappearance of the troops emotion.The text falls into two parts:The first part focuses on Lishuangjiang’s road of art ,which falls mainly into two subparts. 1 "First experiencing the hardships of art" mainly introduces Li’s deeds of art from his primary school to entering the Central Music college. 2 "The struggling course of art " mainly formulates Li’s experience of study and investigation into vocal art, and his deeds of art during his troops life and performance of condolence in the front.The second part focuses on Li’s singing style .It mainly analyzes and studies the three outstanding aspects in Li’s singing style. 1 "A combination of Chinese andWestern singing techniques" mainly analyzes the application of national and acoustic singing techniques in Li’s singing. 2 "the unique expressive ability of voice" mainly analyzes the distinguishing feature in Li’s tenor and alto or bass. 3 "The reappearance of troops emotion" analyzes Li’s emotion of singing and the expression of troops emotion in his singing.The conclusion of this thesis is as follows. Li’s unique growing road of art ,has some influence on the formation and development of the individualization of his singing style .Firtly, the formation of Li’s distinguishing feature of " a combination of Chinese and Western singing techniques " has a close relation to his experience of vocal music study and investigation. Secondly, Li’s unique expressive ability of voice is inseparable from his mastery of singing techniques and hard practice of singing. In the end, the reappearance of Li’s troops emotion in the course of singing troops songs has an inseparable relation to his real experience in the army and his conssummate mastery of singing techniques.The thesis makes us learn Lishuangjiang,a singer of the older generation’s successful experience and his spirit struggling for art. It also makes us understand that we must embody our singing style by our own experience of art and mastery of singing techniques in the practical education and study of vocal music art.The study of this thesis has some referential meaning to develop Chinese singing techniques and blaze new trails of singing style.更多还原