论钢琴组曲《夜之幽灵》的创作特征及演奏技巧

【作者】 徐恺；

【导师】 葛世杰；

【作者基本信息】 上海师范大学 ， 音乐学， 2004， 硕士

【摘要】 钢琴组曲《夜之幽灵》是拉威尔钢琴音乐中的一部里程碑式的杰作，同时也是近代西方钢琴文献中的一部标志性的优秀作品。乐曲结合了传统的音乐形式和20世纪新的创作特征，通过运用典型的音乐语言描绘了诗中不同的表现形象和意境，体现出诗意化的音乐性。另一方面，乐曲在钢琴演奏技巧上也进行了新的探索和尝试，运用了许多独特艰深的技巧手段，丰富和推动了20世纪钢琴演奏技巧的多元化发展。本文着重分析探讨了《夜之幽灵》在结构、和声、织体、等方面的创作特征以及在演奏技巧方面的基本特点，这些对于理解和驾驭拉威尔其他钢琴作品有着重要的启示意义。更多还原

【Abstract】 The piano suite Gaspard de la nuit is a masterpiece of the milestone type in Ravel’ s piano music, it also is a symbolic works of excellence in modern time’ s piano literature. The composition integrates traditional music forms and new creation features of the 20th century’ s. By way of using typical music language it depicts different expression images and moods in the poem, reflecting the quality of being very poetic music. On the other hand, the composition makes a lot of new explorations and attempts in the piano performance techniques by making use of many distinctive and abstruse technique and means. This enriches and promotes the multiplicity development of piano performance technique in 20th century. This thesis intends to analyse and probe into the creation features of Gaspard de la nuit in the structure, harmony, texture, as well as that of the basical characteristic in performance techniques, which makes important enlightenment for us to understand deeply and master Ravel’ s other piano works.更多还原