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孔子中和之美的时空阐释

A Space-time Interpretation of Confucius’ Beauty of Neutralization and Harmony

【作者】 叶仁雄

【导师】 季水河;

【作者基本信息】 湘潭大学 , 比较文学与世界文学, 2003, 硕士

【副题名】以《诗经》、《论语》为个案分析

【摘要】 中和是中国传统美学的最基本审美形态之一,它集中体现了整个中华民族的生存体验。因此,对中和的研究必然要依靠更为基本的概念。本文首先以先秦思想为个案,通过具体界定时空术语在美学中的运用、分析时空给定的人类生存状态的边界条件,具体整理了时空对美学的先验规定性。其次,进一步分析了孔子中和之美的时间与空间条件。(1)时间条件:孔子时期时间没有量化;生活节奏缓慢而不明快,生活内容或工作量远小于生产力发展时期;时间与其代表的意义不能发生剥离;个体的时间体验处于“自由时间状态”中。(2)空间条件:孔子视天下为无差别的统一空间。孔子之“和”因之有了新的意义及实现方式。他依旧承认夷夏之别,但强调君子居之不“陋”,为整个社会之“和”奠定了心性上的基础。他所认为的“和谐”不是政治上的势力均衡,而是以人性深处的“仁”与“孝”来构建。最后,本文通过在“言”与“行”两个方面,对君子形象之美做了时空界定,认为孔子是通过“行”将“言”实现了现实时空下的具化,而对孔子论诗的时空意蕴挖掘,则着重论述其论诗思维的三个特点,论证孔子论诗为《诗经》文本意义的权威性提供了合法性依据。

【Abstract】 Beauty of Neutralization and Harmony, embodying the existing experience of all the tribes, is a fundamental aesthetic form in ancient China. So, to study Neutralization and Harmony is necessary to depend on the more fundamental concept. Firstly, this article based on pre-Qin’s think source wants to demonstrate a illumination in the study of aesthetic by describing the use of the space-time in aesthetic, analyzing the boundary condition of human existence, arranging the transcendental regulation of aesthetic given by space-time. Secondly, making a further study of space-time condition of Confucius’ Neutralization and Harmony. (1)Time condition: during Confucius’ time the time had not been quantified, daily life’s rhythm was not lively but slowly and the content of life was far small compared by the time in which the work power was quite developed; time cannot be separated from the meaning that the time hold, and, the individual always absorbed in the experience of state of free time. (2)Space condition: Confucius regarded the world as an integrate space that had no difference. So, Confucius’ Neutralization and Harmony had some new meaning and new way to attain. Although Confucius had still affirmed that there was some difference between Yi and Han, he emphasized the place was no more rudeness if a superior man dwelled in and thus the whole society was based on the harmony of the soul and character. As to Confucius, the harmony was not the politic powers’ balance among all the states, but was constructed by the good and filial which from the humanity. Lastly, this article analyzes the time-space meaning of the superior man through discourse and action, and we hold that Confucius concreted discourse by act under the reality time-space. And to Confucius’ studying shi, this article mainly analyzes three characters of Confucius’ flight of idea, and points out that Confucius’ studying shi had offered authority basis for the meaning of text.

  • 【网络出版投稿人】 湘潭大学
  • 【网络出版年期】2004年 03期
  • 【分类号】I01
  • 【被引频次】1
  • 【下载频次】1027
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