【作者】 黄惊涛；

【导师】 孟泽；

【作者基本信息】 湘潭大学 ， 中国古代文学， 2003， 硕士

【摘要】 近现代情境下的王国维与鲁迅，以其生命历程所显示的强大张力，塑造了其时知识者的典范形象，作为两种取径各异却归宿相似的生命典范，他们各自影响、规定了后世知识者的人格追求和立身方式；二人又因其思想的立意高远与规模宏大，构筑了中国其时思想、诗学的主要骨架，作为两种近似与反差均同样巨大的思想典范，二者不仅是进入中国传统思想、学术的有效参照，也是中国思想、诗学未来发展可以获取动力的重要资源。王、鲁二人这种生命与思想的典范性，使后人对他们的个案研究，可以获得广泛的意义指涉和解说，而将二者进行“并置”考察，勾勒其相似之点，彰显其相异之处，或许更能明晰中国近现代的思想与诗学脉络。本文以描述王国维、鲁迅二人的思想轨迹(偏重文学思想)为中心，其中又以揭示二人思想、诗学迁变的内在链接为描述重点，兼及思想主体的生命选择，以学术、思想的“天下意识”与“天下观”为切入点，凸显二者的社会、道德承担和思想眼界的超越性，对比二人文学思想之工具论与本体论暨“无用之用”与“善撄人心”、“境界”与“摩罗诗力”，解说“悲剧”在二者思想构造中的中心意义，阐发这种臻于至境的美学“悲剧”与二人臻于绝境的生命“悲剧”的同构与互动关系。总之，本文通过某些关键点对二人进行“并置”研究，试图能够深入发掘某些单独研究可能被遮蔽的潜在命题，并试图为中国近现代思想、诗学研究确立较为确定的坐标与方向。更多还原

【Abstract】 Wang Guowei and Lu Xun, known for their strong tension of their life journey, have portrayed two typical intellectual figures in Chinese literary history of modern times. As two typical life model that arrives the similar end through different roads, the have influenced and provided the intellectuals of later ages on moral quality and behavior. Also due to their profound thoughts, they build up the main frame of the thought and poetry study. Thus they have been the valuable reference for people to study Chinese traditional thought and learning and important resource for Chinese thought and poetry study to get motivation to develop. Study on the cases of their thought and life typicality can get wide comment. Juxtaposition of the two scholars can illustrate their similarities and differences. So we can get a better understanding of the thread line of Chinese thought and poetry study.The article, focusing on the thought orbit especially in the field of literature, emphasizing the inter-link between the changes of their thought, explaining the life choice of thought subject and taking the learning and thought idea of World Consciousness and World View as breakthrough points, depicts their social and moral bear and transcendality of their thought version. Contrasting their literary thoughts of organon and ontology with each other, the article explains the central role played by "tragedy" in their thought structure and homorganic and interdynamic relations between their best but last aesthetic "tragedy" and life "tragedy". In summary, this article tries to make a juxtapositional study through some strategic points, aims to dig out some potential proposition hidden under some individual study and also attempts to set a fix coordinate and direction for the study of modern thought and poetry.更多还原