【作者】 熊权；

【导师】 宋??；

【作者基本信息】 湖南师范大学 ， 现当代文学， 2003， 硕士

【副题名】论五四时期情爱小说到“革命+恋爱”小说的演变

【摘要】 对自然情感的日益关注和重视是中国现代文学转型中的一种普遍趋势，至五四情爱小说的创作蔚为大观，深刻地展开了文化批判以及现代人格建构等重大问题的思考。文学对自由的两性关系的想象与追求体现了社会思想革命的时代背景，它以文学的方式释放传统文化中的压抑性因素，激活了生命力和创造力。“革命+恋爱”小说崛起于早期普罗文学运动之中，洋溢着青年一代承担重任、放纵生命的沉醉之情，一方面延续了五四情爱小说中的个性主义的思想脉络，一方面又因救亡的使命感趋向于压抑个人的激情，显示出将个体融入无产阶级革命之历史必然性的冲动。 本文认为，如果说五四情爱小说以个性情爱的书写而体现了对文明压抑的反抗与冲击，“革命+恋爱”小说作为深受意识形态影响的主流文学形成之前的初始状态，则体现了个人情爱、个体自由走向压抑的过程。自由与压抑的选择既是人类对自我生存状态的思考和衡量，也涉及文学想象的活跃与僵化问题。 全文共分五个部分： 引言：提出五四情爱小说与“革命+恋爱”小说之间的联系，并阐释二者被作为一个整体发展过程来分析的意义。 第一章：对五四情爱小说到“革命+恋爱”小说演变的整体讨论：情本体到道德本体的转移；“革命”一词词义的变化；“革命”叙事与“恋爱”叙事在小说中和谐一致到排斥冲突的变化。 第二章：五四情爱小说中的张扬个性的文化启蒙意义及隐含的回归意向：郁达夫情爱小说中感受到生存分裂的悲剧意蕴；冯沅君、庐隐、许地山等人小说中的回归意向；鲁迅以两性关系为突破口，在小说中进行的国民性批判以及试图建构新型人格的努力。 第三章:“革命+恋爱”小说中生命激情的昂扬与时代责任感束缚的矛盾:以蒋光慈、洪灵菲为代表的“革命+恋爱”小说的辉煌;茅盾的“时代女性”与原始生命力的规范化;《丽莎的哀怨》对历史必然性的致疑，保留了个性主义的思维痕迹。 余论:对文学史中文学个性自由与压抑状态的总结。更多还原

【Abstract】 This is a general trend of taking interests in spontaneous emotion at the turning point of Chinese modern literature . And it developed to the peak by the writing of the love novels of May Fourth Movement period. The imagination of free love in literature is the manifestation of the revolution of social ideology. It makes the oppressive elements in traditional civilization are set free by the means of writing and stimulates the life force and creative power. Novels on the motif of revolution and love which propagated the belief of undertaking epochal tasks and giving free rein to one’s personality. The novels inherited the individualism of the love novels of May Fourth Movement period, on the other hand, personality was inclined to be oppressed in the novels because of the writers’ patriotism. So the subject of the novels showed the writers impulse which the writers tried to make the uncertain personality to be subjected to the certainty of the proletarian revolution.If the awaking of the personality in the love novels of May Fourth Movement period manifests the rethinking to the civilized oppression, as a sort of early phase before the current literature which was dominated by the main ideology maturate, the novels on the motif revolution and love express that the process from the freedom of emotion and personality to the oppression. The choice between freedom and oppression is not only the mankind’s ponder about existence but also is concerned with the problem of activity and rigidity of literature imagination.The dissertation is divided into five parts:Foreword: Interpret the relationship between the love novels of .May Fourth Movement period and the novels on the motif of revolution and love and the value when we regard them as a continuous process.Section one: Mainly explain the transformation from the love novels of May Fourth Movement period to the novels on the motif of revolution and love: The transformation form the emotional thing-in-itself to the moral thing-in-itself in the two types of novels; The change of the meaning of "revolution"; The relationship between the narrate of "revolution" and "love" form communality to conflict.Section two: The inclination of individualism and returning to tradition in the love novels of May Fourth Movement period ; The tragedy was come form the existent division in Yu dafu’s love novels; The critiques on the national character and attempt to construct modern character in Lu xun’s novels were based on the relationship between male and female, the intention of returning to tradition in Feng yuanjun, Lu yin and Xu dishan’s novels.Section three: The high-spirited personality and the restrain of epochal sense of responsibility in the novels on the motif of revolution and love: The splendour was created by the writing of Jiang guangci and Hong lingfei; "modern women" in Mao dun’s novels and primitive vitalities were controlled by reason; The revolt to the certainty in 《lisha’s sad》 expressed the faith of individualism.Epilogue: The summary of the freedom and oppression of literature in the literature history.更多还原