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浅析丁善德声乐作品的和声技法特点

Simple Analyses on Character of Harmonic Technique of Ding Shande’s Vocals

【作者】 张志敏

【导师】 王青;

【作者基本信息】 湖南师范大学 , 音乐学, 2003, 硕士

【摘要】 丁善德先生是当代中国乐坛最具代表性和影响力的作曲家、钢琴家、教育家、理论家之一。其创作领域涉及交响乐曲、大合唱、协奏曲、室内乐、钢琴曲与艺术歌曲等体裁。本文以他的声乐作品为研究对象,从和弦结构、和声进行、调式调性等侧面来分析、研究其和声技法与风格特点。这对于探索在音乐创作中融入民族风格的某些特质、借鉴某些近现代的作曲技术手段、拓展创作思路与理念、繁荣我国当代音乐创作都具有现实和理论意义。 全文包括绪言、正文和结语。绪言简单介绍了丁善德先生的生平、声乐作品创作情况。正文分为三个部分,第一部分是对和弦结构的分析,其中着重对某些非传统和弦形态进行剖析。第二部分分析了作品的和声进行特点,主要对其中的线形进行和平行进行等非传统的和声进行方式进行分析。第三部分是对调式调性特色的分析,包括调式结构、调性呈示、转调手法、调性布局等方面。结语部分提出两点思考与启示:(1)中国的音乐创作要发展和繁荣,就必须认真对待、妥善解决音乐的民族性与时代性。(2)不宜以技法是否传统为标尺来评价衡量音乐作品的水准与民族性。

【Abstract】 Mr. Ding Shande is one of the most representational and influent composers , pianists, educations, theorist in the music field in today china .His composition concerns on symphony, chorus, concert, chamber music, piano opus, artistic songs and so on. The article is based on his vocals , analysing and researching their harmonic technique and style from the aspects of the chord structure ,the harmonic progression ,the mode and tonality etc. it is practical and theoretical for us to explore the fusion of some native specific style, use for reference certain measures for melodizing technique in modern times, expand methods and principles for inditement , flourish contemporary music inditement in our composition.The themes consists of preface , instruction text and ending words. In the preface , it simply introduce the life of Mr. Ding Shande and the situation of his vocals composition . The text includes three parts . part I analyse the chord structure in the opuses , especially the non-traditional conformation of the chord . part II analyses the characters of the harmonic progression in opus ,which mainly include non-traditional conformation of the linear motion and the parallel motion . part III analyses the feature of the mode and tonality including the structure of mode ,the manner of showing tonality , the way of changing tune, the composition of tonality and so on. The ending word gives two reflection : the first one is that we must treat earnestly and resolve well the problem of the native and epochal in order to develop and substantiate the composition of Chinese music .The second one is that we do not ponder the native characters of the opus according to the traditional and non-traditional traits of the music technology.

  • 【分类号】J614.1
  • 【被引频次】8
  • 【下载频次】297
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