【作者】 刘竞；

【导师】 王毅；

【作者基本信息】 湖南师范大学 ， 中国古代文学， 2003， 硕士

【摘要】 本文认为，由于现存元代杂剧作家传记资料较为少见，有关元代杂剧作家创作心理的研究受到诸多限制，因此本文选择通过元杂剧中恶妇、贤妇形象的对比研究这一新视角来考察作家创作心理，试图探讨元代杂剧作家面临的现实困境以及由此而催发的理想追求。 本文分为三部分。 第一章具体分析元代杂剧作品中恶妇形象、贤妇形象的分类、表现，说明恶妇形象、贤妇形象成为两组道德符号：前者是无序的制造者、道德的破坏者、财富的掠夺者、生命的戕害者；后者是有序的维护者、道德的重建者。 第二章从两类人物形象在创作过程中的模式化、程式化入手，探讨其中的深刻内涵，认为恶妇形象实际代表了元代杂剧作家面临的现实困境，贤妇形象则象征着元代杂剧作家强烈的理想追求。 第三章通过阐述恶妇戏、贤妇戏中男性角色的弱化表现及耐人寻味的结局，分析了元代杂剧作家在困境与追求的二难情绪中表现出来的创作心理特征：宣泄、求助、自矜等弱化心态与自我道德化、渴求正义皇权、向传统回归等精神追求相互纠结。更多还原

【Abstract】 The dissertation deems that the study on the creation psychology of "Northern" type dramatists in Yuan Dynasty is limited by lots of factors due to the lack of biographies about dramatists in Yuan Dynasty. As a result, this dissertation hope s to explore t he creation psychology of the "Northern" type dramatists through the new visual angle that comparative study on the images of the evil women and the virtuous w omen and tries to approach the difficult position faced to the dramatists as well as their moral ideal generating from it.The dissertation is composed of three chapters as follows:In the first chapter, it analyzes respectively the classifications and manifestations of the images of the evil women and the virtuous women in the "Northern" type dramas. It explains how the images of the evil women and the virtuous women become two kinds of morality symbols. Consequently, the former symbolizes the creators of disorder, violators of morality, seizers of wealth, slayers of life while the latter represents the safeguards of order, constructors of morality.In the second chapter, it explores the profound connotation stemming from these two kinds of images by analyzing the models during the process of creation . It thinks that the images of the evil women signify the difficult position faced to the dramatists while the images of the virtuous women mean the ardent ideal of the dramatists.In the third chapter , through explaining the weakened male-roles and meaningful endings, the dissertation expounds the traits of creation psychology that dramatis ts displayin the dilemma between the difficult position and moral ideal: weakened psychologies such as unbosoming, seeking help, bragging are tangled with moral pursuits such as moralizing themselves, seeking righteous imperial-authority, regressing to tradition.更多还原