【作者】 王卫湘；

【导师】 周仁政；

【作者基本信息】 湖南师范大学 ， 现当代文学， 2003， 硕士

【摘要】 本文提出了戴望舒诗歌的现代性品格问题。现代性品格并非一个时间概念，它是诗歌的深层变革，体现在表达方式上，更体现在诗歌的精神气质，思想深度和情感的价值取向上。 作为一个三十年代的现代派诗人，戴望舒以对中国诗艺的融汇化合，建构起自己独特的诗歌世界，也初步建构起一种可贵的现代性诗歌品格，推进了中国现代主义诗潮的向前发展。虽然，这种现代性并不完整，也并不纯粹，存在着明显的缺失和杂质。但是这是一种真实的历史形态，是现代主义诗潮初始阶段的必然现象。如何加快中国诗歌的现代化进程，如何提升中国诗歌的现代性品格，戴望舒的诗歌从正反两方面都给了我们有益的启示。 本文力图对这一形态作出具体的辨识和客观的描述。 全文分为六个部分： 导言。简要勾勒中西现代主义诗歌的基本历程，阐释现代性品格的基本内涵。 一、历史地位。从纵向横向两个角度看戴望舒在中国现代主义诗潮发展中的地位和贡献。 二、现代性品格的建构。从诗情之变与诗艺之变两方面，分析戴望舒诗歌忧郁、迷惘的精神症候，荒原意识；象征手法的形成；音乐美的追求与嬗变。这是戴望舒诗歌现代性品格的主要内涵。 三、现代性品格的缺失和局限。集中分析戴望舒诗歌宗教精神、终极价值的缺乏，弱质的文人心理和趣味，这是戴望舒诗歌与西方现代主义诗歌的最大差距和质的区别。 四、重归古典——走向现代性的反面。主要从意象、诗情两方面去看传统文化及于戴望舒的影响，这种影响使诗人放弃了对现代性的追求和坚守，使古典性最终上升为一个现代派诗人的主要美学特征。 结语。简要归纳戴望舒创作的整体特色和造成其现代性品格局限的原因。更多还原

【Abstract】 This essay argues that, in Dai Wangshu’ s poems, there is a phenominum of modern quality, which is more a reform of poetry’ s deep structure than a concept of time and which exists not only in expressive style but also in spiritual quality, depth of thoughts and yalue preference of feelings.As a modern poet in 1930s, Dai Wangshu, who was good at blending skills of Chinese poetry, built up his unique world of poetry and, above all, an invaluable modern quality of poems, thus pushing forward the development of Chinese modern poetry. Although this modern quality, with some distinct incomplete points, is far from being complete and pure , it is a true historical form as well as an unavoidable phenominum at the primary stage of modern poems. Dai’ s poems, from both positive and negative respects, make us understand how to move the dovelopment of Chinese modern poems with great speed and to promote the modern quality of them.The writer tries hard to analyze, this phenominum with a specific acknowledgement and objective description.The essay consists of six parts.I . Preface : a brief outline of the development of modernism both in China and in the West and an explanation of the basic contents of modern quality.II. Historical status : an analysis both chorconological and synchronic of Dai’ s status in and contribution to Chinese modern poetry.III. Building-up of modern quality : an analysis of the causes of sadness and the sense of desolation in the changes of the poet’s feeling s and skills, the formation of symbolization and the pursuit of musical beauty whichtogethen form main connotation of Dai’ s modern quality.IV. Limits and incomplete points, in modern quality : an analysis of religious spirits, a lack of epic quality and week psychology in literary men which, all together, make the biggest difference and the distinction of nature between Dai’ s poems and those of modernist poets.V. Return to classical school : a return to the opposite side of the modern; the influence of the traditional culture on Dai in the respeets of image and emotion, which makes him give up his persistence to and pursuit of modern, and thus makes classical nature rise to the main beauty symbol of a modern poet.VI. Concusion: a brief conclusion of the characteristics and the causes of the limits in Dai’ s poems.更多还原