现代女性作家书写视域中的长女形象

【作者】 陈婵；

【导师】 颜雄；

【作者基本信息】 湖南师范大学 ， 中国现当代文学， 2002， 硕士

【摘要】 从黑暗森林归来的现代女性书写，以独特的视角和笔触，观照着女性个体生命的本质。在飞扬着青春、热情，爱与笑的同时，也低诉着痛苦、灰暗，恨与泪。现代女性文本将被男性书写史忽略或定格的长女形象作了深入描摹，并呈现出迥异于传统男性文本的颠覆性特征。本文从文化学、心理学角度，展现现代女性书写视阈中，现代长女由显意识到潜意识层面的困惑与挣扎，长女作家自传式倾诉所表现的新旧交替时期长女们的生存焦虑，以及父权黑暗无意识的巨大吞噬力。 第一部分：展现处于转型期的传统长女的三种生存态势：“焦虑型”、“丑恶型”和“救赎型”，还原真实的历史面貌，表现其在新旧交替特殊时期本原生命的躁动。 第二部分：以“大女神”原型为核心，通过聚焦其正负两面特质：“善良大女神”和“恐怖大女神”，展示长女们集体无意识的巨大重力作用，表现父权话语场的强势控制。 第三部分：揭示长女作家在文本中对存在父亲的控诉和颠覆，其中隐蔽着的传统长女的潜在自恋和焦虑，以及她们在父权精神陷阱中不能自拔的巨大痛苦。更多还原

【Abstract】 Returned from dark forest, the writing of modern females viewed the females’ individual vital essence through the particular angle and words .It was not only rising the youth , ardor , love and laugh, but also lowly appealing to pain, gloom, regret and tear. Modern female texts penetrated into the first daughters’ images that had been ignored or stabled by male writing history, and showed the subversion characters which different from the traditional male texts. This thesis is written from the angle of culturology and psychology, unfold modern female writing visual threshold, exhibit the firstborn daughters’ potential anxiety, the huge swallow force of the patriarchy’s dark unconscious and modern firstborn daughters’ bewilderment and struggle, from conscious to subconscious, and firstborn daughter writers’ autobiography’s confide.The thesis consists of three sections.The first section: To exhibit three exist types of the transform era: Anxiety type, Frightfulness type, Rescue type, restore the genuine history visage and manifest their original life’s rash during the special era in which new and old alternated.The second section: with the core of the type of BIG Goddess , focusing on its positive and negative characters, "fine Big Goddess" and "terror Big Goddess", revealing collective subconscious gravitational force.The third part: unearth the accuse and the subversion exist father in the firstborn daughter writers’ texts which hiding the narcissism and anxious. In the same time, these texts alsodisplayed their huge pains because of falling in the patriarchy trap.更多还原