论恰空舞曲的音乐风格与演奏技法

【作者】 张慧；

【导师】 王登云；

【作者基本信息】 南京艺术学院 ， 2003， 硕士

【摘要】 约翰.塞巴斯蒂安.巴赫是德国最伟大的作曲家之一。他的音乐创作以复调手法为主，富有深厚的哲理性和严密的逻辑性。巴赫于1720年创作了六首无伴奏小提琴奏鸣曲，为旋律性乐器的复调音乐演奏树立了新的里程碑，被人誉为“小提琴音乐中的圣经”。其中第二组曲的第五乐章—庄严宏伟的恰空舞曲更是小提琴音乐文献中空前绝后的杰作，充分地表现了巴赫奔放的内心情感、丰富的幻想以及卓越的复调创作技巧。本文以巴赫音乐的时代背景为依托，探析了恰空舞曲的思想特征与创作特征；从理论的角度比较系统地分析了恰空舞曲的曲式结构，并且对恰空舞曲的实际演奏技法作了比较全面的论述。更多还原

【Abstract】 As one of the most outstanding composers in Germany, Bach gives Polyphony a high priority in his musical composition, affluent with profound philosophy and rigid logic. The six violin Sonatas without company composed by Bach in 1720 have laid a milestone for polyphony performance in melody instrument and are reputed as " the Bible for Violin Music". Among them, the magnificent chaconne, the second partite of the Fifth Movement，ranks an unprecedented master piece in violin literature. It fully demonstrates Bach’s untrammeled inner sentiment, wealthy fantasy and imagination, and superb polyphony performing skills. Backed by the times of Bach’s music, this thesis is to probe the thinking and composing characters of chaconne, analyze systematically the chaconne structure from the theoretical point, and give a though study of chaconne’s performing skills.更多还原