理查·施特劳斯的歌剧《莎乐美》研究

【作者】 张继红；

【导师】 沈旋；

【作者基本信息】 上海音乐学院 ， 音乐学， 2003， 硕士

【摘要】 理查·施特劳斯是19世纪末20世纪初最重要的作曲家之一，他的歌剧既继承了前人的成就，又具有自身的特点，同时预示了20世纪音乐的一些风格倾向。《莎乐美》是施特劳斯最具争议性的作品，争议的焦点集中在对作品题材的价值判断上。因此，论文从研究《莎乐美》文学原著入手，以社会状况、文艺思潮、作者等视角观察作品，力图全面地分析这部戏剧及歌剧产生的原因；在此基础上，深入剖析这部音乐-戏剧的组成要素及思想内涵；同时，对歌剧音乐进行多方位的、较为细致的分析。通过较为系统、详细的分析，笔者认为，歌剧《莎乐美》具有高超的音乐写作技巧，生动的戏剧表现力，是一部出色的戏剧音乐作品。但由于施特劳斯在创作过程中对王尔德原作的删节，使作品的思想内容和精神内涵显得比较肤浅和苍白。这种矛盾的现象不仅体现了理查·施特劳斯的个性特点，也反映了与他同时代人的共性特征。即便如此，歌剧《莎乐美》的艺术价值仍是不可抹杀的。更多还原

【Abstract】 Richard Strauss is one of the most important composers between the end of 19 century and the beginning of 20 century. His operas are characterized of former tradition, his own style and some of the tendency of 20 century music. Salome is the most disputed work of Richard Strauss. For this reason, the dissertation studied the original literature work Salome, the status of society, thoughts of literati and the author, in order to study the background of the work. In base of that, the dissertation analyzed the factors and ideology of this music-drama and the music drastically. After that, I think Salome possess lofty musical technique, dramatic expressive force. It is an excellent theater musical work. But its ideally content and spirit connotation appears superficial and paleness owing to the cutting of Oscar Wilde’s work. The paradoxical phenomenon reflexes the individuality of Strauss and his contemporary commonness. In spite of this, the value of the opera Salome can not be written off.更多还原