论德彪西钢琴音乐的个性

【作者】 朱怡君；

【导师】 司徒璧春；

【作者基本信息】 南京师范大学 ， 音乐学， 2003， 硕士

【摘要】 本文提出，德彪西的钢琴音乐是一种极具个性、极富创意的音乐，它对传统音乐的反叛和创新远远超过了继承和延续。文中分析了“印象主义”与德彪西钢琴音乐的关系、德彪西个人音乐风格形成的五点原因及德彪西的钢琴作品在创作技法和演奏要求方面的创新，指出德彪西的钢琴音乐虽然被称为“印象主义音乐”，但其体现的主要是德彪西个人的喜好和他的个性特色。反思以往用“印象主义”一词笼统概括所有在作品中体现出印象主义因素的作曲家特点的做法，本文指出应该对他们加以区分。鉴于德彪西所受“象征主义”文学和诗人的影响较为深刻，本文对“象征主义”文学的几位代表人物从不同角度进行了简要说明，并加入笔者个人的一些见解，提出德彪西从各位诗人和文学家那里借鉴的表现手法也是各不相同的。本文研究德彪西钢琴音乐的独特个性和创新，旨在使演奏更为贴合作曲家的创作意图，更好地表现德彪西钢琴音乐的与众不同。更多还原

【Abstract】 The thesis here holds that Debussy’s piano music has extreme individuality and originality. Its rebel against and innovation in the traditional music far exceed the inheritance and continuity. The thesis analyses the relation between "impressionism" and Debussy ’s piano music, the five causes of the formation of Debussy’s personal music works in artistic technique and playing requirements. The thesis points out that although Debussy’s piano music is called "impressionistic music", but it mainly represents Debussy’s hobbies and his personal characteristics. Reconsidering the way "impressionism" was used to generalize the distinctive features of all "impressionist" composers, the thesis points out we should delineate them. Since Debussy was deeply influenced by "symbolist" literature and poets, the thesis makes a brief explanation on some representatives of "symbolist" literature from different angles, and puts forward some personal views of the author, including that Debussy’s techniques of expression he drew on the experience of poets and writers were different from one another. The study made by the thesis in the novel personality and innovation of Debussy’s piano music aims at making playing get closer to the intention of creation of the composer and display better the unconventionality of Debussy’s piano music.更多还原