【作者】 李迎春；

【导师】 汪子良；

【作者基本信息】 西北师范大学 ， 音乐学， 2002， 硕士

【摘要】 普罗科菲耶夫是二十世纪苏俄作曲家。钢琴奏呜曲的创作分布于普罗科菲耶夫的各个创作时期，几乎形成贯穿作曲家一生的一条脉络。本文旨在通过对这些奏呜曲的研究，探寻普罗科菲耶夫钢琴奏呜曲的创作特点。 本文对于普罗科菲耶夫钢琴音乐的创作风格从继承性、民族性及个性特征三方面进行了具体分析。其中，在继承性中，主要分析了普罗科菲耶夫对古典主义与浪漫主义的继承；在民族性中，主要分析了普罗科菲耶夫钢琴作品中的俄罗斯民族特点；在个性特征中，主要分析了普罗科菲耶夫在创作中的大胆创新及确立普罗科菲耶夫特有的风格的主要因素。 本文对于九部钢琴奏呜曲的创作特点，从曲式、和声与调性、织体写法、节奏、旋律五方面进行了具体分析。 本文通过对钢琴奏呜曲的分析，结合第三钢琴奏鸣曲的具体演奏处理，由点及面地分析普罗科菲耶夫钢琴奏呜曲的演奏风格和弹奏要点。更多还原

【Abstract】 Prokofiev was one of the representatives of the modernism pianist-composers in the twentith century.The piano Sonata existed in each of his creative period and nearly ran through his whole life.The aim of the thesis was to explore the creating resource based on the classical music and the brave innovation and to show the playing style of Prokofiev’s musical works through the study of the creating character of his piano Sonata.In this thesis,several outstanding styles were briefly discussed.The emphasis was on the analysis of the inheritance and nationalism and individualism.The creating character expressed in Prokofiev’s nine piano Sonatas was discussed in greater detail from five aspects膖he use of traditional musical form,the compatible harmony and tonality,the simple layers of texture,various and expressive rhythm and the individual melody.The playing style could be gradually understood through the analysis of the piano Sonata as well as the specific skill in his Third Sonata for piano.更多还原