【作者】 于雪艳；

【导师】 唐瑰卿； 李西安；

【作者基本信息】 河南大学 ， 音乐学， 2002， 硕士

【摘要】 艺术歌曲作为一种特定的音乐体裁，以其独特的品质与内涵，堪称歌曲中的精粹。由于它的不可替代性，在中外专业音乐院校的声乐教学中将其作为必选教材是声乐学习的传统。中国艺术歌曲作为我国音乐文化中的瑰宝，在声乐教学中，除能规范学生的声乐技巧、提高其音乐感受能力外，在培养学生热爱、珍惜、理解中国民族音乐及传统文化方面具有极为特殊的意义。近年来，学术界对中国艺术歌曲的研究，或结合具体作曲家谈具体作品，或笼统概述，总之是缺乏较为详尽、系统的研究成果，因而给本文提供了较大的研究空间。二十世纪是中国艺术歌曲发展重要的一百年，在本文中，笔者从较为综合的角度，以代表作曲家的代表作品为线索，将二十世纪中国艺术歌曲分为建国前、建国后三十年、改革开放新时期等三个时期，并对每个时期的艺术特色加以比较和分析研究。更多还原

【Abstract】 Art song, as a particular music style in musical history and with its unique character and connotation, can be called the essence of song. Because of its non-substitutability, it is tradition of vocality that art song is chosen as indispensable teaching material in vocality teaching in musical speciality academy of China and foreign countries.Chinese art song is a treasure in Chinese musical culture. In vocality teaching, it can not only make students’ vocality technique normative and improve their musical receptive ability, but also has extremely special meaning in cultivating students’ devotion to, cherish and understanding of nationality music and Chinese traditional culture. In recent years, academe has done research on Chinese art song or discussed particular work combining with particular composer or summarized generally, but their work is always not at large, which leaves this thesis a comparatively large research space. The 20th century is the important one hundred years of Chinese art song.In this thesis, the author, from a comparatively integrated angle and taking the representative works of representative composers as clue, divides the 20th century Chinese art song as three periods: before liberation, thirty years after liberation, reform and opening up period, and makes comparison of and analyzing research on every period’s artistic character.更多还原