【作者】 王颖；

【导师】 杜鹤鸣；

【作者基本信息】 河南大学 ， 音乐学， 2002， 硕士

【摘要】 在音乐的发展进程中。调式与调性始终是贯穿其中，且是一个极其重要的方面，同时，它又是一个比较复杂的问题。尤其是从浪漫派后期以来，由于作曲技术的不断出新及作曲家对和声的色彩性、动力性、种种新颖效果、不同风格的追求。因此“调性”这一传统观念被逐渐打破。各种技法的运用多样、流派分呈。调性音乐逐渐向无调性音乐过渡。本文是以调式、调性的发展过程为出发点，从和声的角度对调性与调式性讲述一些个人的看法，并对从调性音乐至无调性音乐的发展进程中所包含的一类“基调性”现象进行一定的分析和研究。 本文共分为三个部分： 第一部分：叙述“调性”问题。主要是针对“调性”概念的两个方面进行说明。并由此提出“调性框架”与“调式框架”两个概念。当明确了这两个框架之后，则调性必然明朗。 第二部分：主要分析了“基调性”现象。从调性音乐到无调性音乐的发展进程中，有许多的复杂现象。本文列举了十数个有代表性作实例以此分析“基调性”的现象，进而藉此说明“基调性”是调性音乐与无调性音乐之间的一片广阔的中间地带、一座过渡的“桥梁”，一种中间式的调式—调性现象。 第三部分：是对“调式性”进行总结。调式的种类繁多，存在着民族、地域差异。而调式结构的差异，则必然有着不同的类别、色彩及特性。调式的这种类别、色彩、特性及差异，统称做“调式性”。本文以七个欧洲中古调式为例，将其之间的差异，色彩及特性作出了详细的归纳、总结。以此说明这种现象不是偶然性的巧合，而是普遍存在的，反映着事物的一种内在规律性和组织性，因此是有其理论与实践的价值和意义的。更多还原

【Abstract】 Tonality and mode are a clue of musical development, even to say an important aspect. Meanwhile, it is a complex problem for on-going creativity on composing technology and composer’s pursuit for color, motive-force new effect and different style, especially from late romanticism. As a result, various applied techniques break out tonality -a- traditional idea. Tonality music comes near to atonality music. The essay takes the development of tonality and mode as beginning and shows some private views on tonality and mode from harmonics angle. In addition, it analyzes a phenomenon -eertain-tonality basis in the development from tonality music to mode music.The essay includes of three parts:I . Describe ""tonality" in details.It mainly points at two aspects of tonality followed by tonality framework and mode framework. Tonality will be easy to us after understanding the frameworks.II . Analyze "certain-tonality basis"There are some complex phenomena in the process from tonality music to mode music. The essay takes some representative works as examples in order to analyze the phenomenon. To explain it clearly that the phenomenon is a wide area, a bridge or a moderate color between tonality music and mode music.III . Make a conclusion to "mode character"There are different types for mode according to different nationalities and regions. This kind of constructive difference will lead to different types, colors and specialties which are called as "mode character". The essay takes seven church modes in the middle age Europe as examples to make a detailed conclusion about them among these modes. So this kind of phenomenon is not occasional coincide but widespread one. It not only reflects inner regularity and organization but also enjoys high value and deep meaning on theory and practice.更多还原