【作者】 黄亚卓；

【导师】 胡大雷；

【作者基本信息】 广西师范大学 ， 中国古代文学， 2000， 硕士

【摘要】 西晋诗歌美学是中国诗歌美学发展的一个重要阶段，中国古代诗歌发展到西晋，经陆机“诗缘情而绮靡”新的审美理想的倡导，诗歌作为艺术所蕴涵的美学精神越发得到高扬，尤其是一种华丽精致的诗歌风格成为西晋诗人创作的最高美学追求。陆机作为这一时代的代表诗人，他不仅提出了丰富的诗歌美学理论，而且在优秀的诗歌创作中实践和实现了其审美理想和追求，因而本文着力于探讨陆机诗歌的美学风格，这对于理解和把握其诗歌的美学内涵及西晋这一诗歌美学发展阶段的美学精神将具有一定意义和价值。 本文认为陆机诗歌美学风格用“繁缛工巧”一语概括较为确切，“繁缛”和“工巧”两者的美学内涵具有对立性，而陆诗正是在两者矛盾性的巧妙融合中体现出深厚的美学意蕴和美学精神。本文通过透析陆机全部诗歌作品，在第一章中具体论述了陆机诗歌“繁缛工巧”美学风格所呈现的四个方面美学特征：缠绵细致的情感、繁富感性的物象、丰赡庄重的气度、工整巧妙的布局，且重点分析其每一方面美学特征是如何体现出“繁缛”与“工巧”巧妙融合的，而陆诗“繁缛工巧”的总体美学风格更是这四个美学特征互为条件、互相包溶、紧密联系的统一体。另外，深入探讨作家创作的美学风格不能忽视影响风格形成的多种因素，尤其文化背景和作家个性是两大重要因素，因此本文第二章便着重从西晋社会文化背景和陆机个性两方面去探析陆诗美学风格形成的原因。在西晋社会文化背景中，西晋文士的世俗心态和追求直观感性的强烈审美意识决定了陆机诗歌中情感的缠绵繁复和物象的感性繁富，因为这些都有助于表现直观感性美；时代的竞巧意识及在此基础上形成的拟古之风使得陆诗在对情感、气度、物象、布局各方面都刻意锻炼，追求工巧的美学特征；而贵族审美趣味也制约了陆诗华丽而又庄重的一面。在个性特征中，陆机气质性格矛盾的特殊性对诗歌情感、气度的表现有重要影响，而陆机“才多”及逞才意识更是直接制约着整体美学风格的形成。 本文通过深入探讨陆机诗歌美学风格及形成原因，试图更准确而深刻地把握陆机诗歌的美学内涵及美学精神，希望有助于陆机诗歌的深入研究及对中国古代诗歌审美特性的重视和探求。更多还原

【Abstract】 The aestheticism of poetry in XiJin dynasty is an important developing stage in the Chinese aestheticism history,particularly influnenced under the leadership of LuJi’s "The poems combined by emotion dipict more vivid and colourful" ,the aesthetic sense of’poem, being a artistic way ,is really enhanced, especially eloquent and colourful poetry style is pursuited as reaching an ideal realm. LuJi is one of poets representing the literature genre. L-Ie not oniy created lots of aesthetic principles ,but also realized his goal in writing the standard poems. My essay tried to analyse the aesthetic style of Lu.Ji’s poems and it will be helpful to comprehensing the connotation of LuJi’s poems and penetrating into the aesthetic spirit of the poetry in XiJin dynasty.I manage to outline the aesthetic style of LuJi’s poems by phrasing "eloquent and complicated though clearly and skillfull". The phrase in coflicted however coherent naturally in LuJi’s poem. The sense and spirit of aestheticism is really showed from them. My essay analysed all his poems,especially Chapter I expounded LuJi’s aesthetic in following aspects Othe sensibility of his emotion; ~ the property of subjects he described; ? the colourful and solemn mettle; ?the well-arranged structure.I try to display his aesthetic style by analysing one by one ,and draw a close conclusion that his aesthetic style and four aesthetic characteristics we have discussed above are coherently combined into a completely one. In addition, we can’t ignore the various faciors which affect the form of styles when we probe into the aesthetic styles of the writers. We should pay more attention to two important factors: cultural background and the writer’s personalities. In Chapter I , the author emphasizes on this question from two hands : social and cultural background of XiJin dynasty and LuJi’s personality , on the first hand, the aesthetic awareness of the worldly spirit and the pursuit of direct perception determine tha Lu’s poems have the characteristics of the complicated, lingered emotion; perceptual, ample subjccts , these can help LuJi cxpress the direct perceptual aesthetics. The awareness of the epoch and the style of imitating the2ancientary which is based on the former make Lu’s poems have the following aesthetic characteristics: practising on purpose in emotion , mettle, subject and structure. But being a high-classed writer, LuJi has his aesthetic taste which restrict the magnificance and seriousness in his poems. On the hand of Lu’s personality,the special contradiction has a great influence on the emotion of the poems, expression of mettle. Moreover, Lu’s "versatility" restrict the form of overall aesthetic styles more directly.My essay aims to grasp LuJi’s aesthetic connotation and spirit by probi ng into the aesthetic styles of his poems, hoping to be helpful to the further study of Lu’s poems and the research in the aesthetic characteristics of Chinese ancient poems.更多还原